One fine evening we are walking in a suitable place where the wide horizon gives us a full view of the setting sun, and we note the objects which mark the place where it sets. Next morning we return to the same place for a breath of fresh air before sun-rise. We see the rays of light which announce the sun's approach; the glow increases, the east seems afire, and long before the sun appears the light leads us to expect its return. Every moment you expect to see it. There it is at last! A shining point appears like a flash of lightning and soon fills the whole space; the veil of darkness rolls away, man perceives his dwelling place in fresh beauty. During the night the grass has assumed a fresher green; in the light of early dawn, and gilded by the first rays of the sun, it seems covered with a shining network of dew reflecting the light and colour. The birds raise their chorus of praise to greet the Father of life, not one of them is mute; their gentle warbling is softer than by day, it expresses the langour of a peaceful waking. All these produce an impression of freshness which seems to reach the very soul. It is a brief hour of enchantment which no man can resist; a sight so grand, so fair, so delicious, that none can behold it unmoved. Fired with this enthusiasm, the master wishes to impart it to the child. He expects to rouse his emotion by drawing attention to his own. Mere folly! The splendour of nature lives in man's heart; to be seen, it must be felt. The child sees the objects themselves, but does not perceive their relations, and cannot hear their harmony. It needs knowledge he has not yet acquired, feelings he has not yet experienced, to receive the complex impression which results from all these separate sensations. If he has not wandered over arid plains, if his feet have not been scorched by the burning sands of the desert, if he has not breathed the hot and oppressive air reflected from the glowing rocks, how shall he delight in the fresh air of a fine morning. The scent of flowers, the beauty of foliage, the moistness of the dew, the soft turf beneath his feet, how shall all these delight his senses. How shall the song of the birds arouse voluptuous emotion if love and pleasure are still unknown to him? How shall he behold with rapture the birth of this fair day, if his imagination cannot paint the joys it may bring in its track? How can he feel the beauty of nature, while the hand that formed it is unknown? Never tell the child what he cannot understand: no descriptions, no eloquence, no figures of speech, no poetry. The time has not come for feeling or taste. Continue to be clear and cold; the time will come only too soon when you must adopt another tone.