Emily Fox-Seton : being The making of a marchioness and The methods of Lady WalderhurstBurnett, Frances Hodgson
General
Emily Fox-Seton : being The making of a marchioness and The methods of Lady Walderhurst
Burnett, Frances Hodgson
Aristocracy (Social class) -- Fiction; Household employees -- Fiction; Young women -- Fiction
They began the new life at Palstrey Manor, which was ancient and most
beautiful. Nothing Walderhurst owned was as perfect an example of olden
time beauty, and as wonderful for that reason. Emily almost wept before
the loveliness of it, though it would not have been possible for her to
explain or particularise the grounds for her emotion. She knew nothing
whatever of the venerable wonders of the architecture. To her the place
looked like an immense, low-built, rambling fairy palace--the palace of
some sleeping beauty during whose hundred years of slumber rich
dark-green creepers had climbed and overgrown its walls and towers,
enfolding and festooning them with leaves and tendrils and actual
branches. The huge park held an enchanted forest of trees; the long
avenue of giant limes, their writhen limbs arching and interlocking,
their writhen roots deep in velvet moss, was an approach suited to a
fairy story.
* * * * *
During her first month at Palstrey Emily went about still in her dream.
It became more a dream every day. The old house was part of it, the
endless rooms, the wonderful corridors, the gardens with their
revelations of winding walks, labyrinths of evergreens, and grass paths
leading into beautiful unexpected places, where one suddenly came upon
deep, clear pools where water plants grew and slow carp had dreamed
centuries away. The gardens caused Emily to disbelieve in the existence
of Mortimer Street, but the house at times caused her to disbelieve in
herself. The picture gallery especially had this effect upon her. The
men and women, once as alive as her everyday self, now gazing down at
her from their picture frames sometimes made her heart beat as if she
stood in the presence of things eerie. Their strange, rich, ugly, or
beautiful garments, their stolid or fervid, ugly or beautiful, faces,
seemed to demand something of her; at least she had just enough
imagination to feel somewhat as if they did. Walderhurst was very kind
to her, but she was afraid she might bore him by the exceeding ignorance
of her questions about people whom he had known from his childhood as
his own kith and kin. It was not unlikely that one might have become so
familiar with a man in armour or a woman in a farthingale that questions
connected with them might seem silly. Persons whose ancestors had always
gazed intimately at them from walls might not unnaturally forget that
there were other people to whom they might wear only the far-away aspect
of numbers in catalogues of the Academy, or exhibitions of that order.
Public-domain text, read in full here on John Shaqi.
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