Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
shapes itself in his mind is a national and northern romantic ideal.
It is a luminous image of stormily progressive and remodelling power,
partly of a warlike, partly of a civilizing nature. All of the forms
which Tegnér, in the course of years, has shown marked preference for
delineating, have been invested with it. In one of his university
addresses, for instance, he undertook to give a characterization of
Luther. In order to accomplish this he places his hero in the point
of view from which it is his wont to consider men of action. First he
emphatically declares that every word and action of Luther bore the
stamp of "overwhelming vigor."
"There was something chivalrous, in fact, I might almost say, romantic,
in his character, his every undertaking.... His action was like a
battle completed, his word like one just begun. He was one of those
mighty souls who, like certain trees, flourish only amid storms. His
grand, adventurous life always seemed to me like a heroic poem, with
its struggles and its final victory."
We are all the more strongly impressed with the character of the orator
from this very one-sided treatment of a many-sided theme when we note
that Tegnér has therein presented determining qualities which, with
slightly altered attributes, he can apply a few years later, almost
word for word, to King Gustavus III. of Sweden, whose personality
differs as widely as possible from that of Luther. Scarcely any proof
is needed to show that between the sturdy Saxon reformer and the
theatrical, Gallicized, and skeptical monarch there was no other bond
of union than that which Tegnér's admiration created for both. Tegnér
said of Gustavus, "In his nature there was not only something grand,
but at the same time something chivalrous; lofty heroic power was
displayed in him, not with shield and sword, but with the lightest
drapery of grace. He was a grand, romantic, heroic poem, with all its
adventures and fascinations, but at the same time with the tenderest
effusions of the heart and the most wanton gambols of joy."
Grandeur, strength, and adventurous romance, then, are the common
fundamental qualities for both Luther and Gustavus; both are knights
of chivalry, and the lives of both appear to Tegnér like a romantic
epic poem. What else and what more could he say about Fridthjof? What
else, in truth, has he said, when in his own characterization he called
attention to the fresh life, the bold defiance, and the haughtiness of
this hero and this heroic poem!
In this tendency we have the deepest, firmest foundation on which his
conceptions of heroic ideals gradually came to rest.
Public-domain text, read in full here on John Shaqi.
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