Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
While all these events were taking place, Tegnér was still too young to
be able to enter into or understand them; but the after effects on his
mind were profound and strong. No remote corner of the land was too far
distant to be reached by the sparks from the crater of the revolution;
no youth, whose intelligence had once been aroused, was so absorbed in
his studies that he escaped hearing outbursts of contempt for royalty
and government, which he at once applied to his own land. Persecuted
"Enlightenment" became a magic, a beloved word to every youth. The
Swedish Academy, which under other circumstances might readily have
become an object of his displeasure, simply as an academy, as an
official and antiquated institution for the gilding of mediocrity, very
early appeared to Tegnér as a knightguard of the light, the worth of
which had been fully tested. The prevailing revolutionary spirit had
no power over his harmonious soul, and only led him to the conditional
royalism which is revealed throughout his writings. He was in favor of
royalty when the king was worthy of his throne, not otherwise.
In the year 1796 the regency came to an end, and from that time until
1809 (that is, from Tegnér's fourteenth to his twenty-seventh year),
Gustavus (IV.) Adolphus reigned as king. Pedantically honorable,
rigidly grave, rigorously frugal as this monarch was, he could not but
produce, when he first appeared upon the stage, a pleasing contrast to
his uncle. It soon became apparent, however, that this youthful form
was wholly unnational. The physiognomy proved to be rather Spanish
than Swedish. Gustavus IV. bears a striking resemblance to the type
of regents of the Spanish decadence, with character modelled after
the great, lamentable shadow of Philip II., who held sway in Madrid
so long after his death. The same petty adherence to etiquette, the
same haughty gloom, the same awkward formality, the same melancholy
piety, combined with fanatic faith in royalty by the grace of God.
The court which, ten years earlier, had presented the appearance of
a festal painting by Watteau, was now as quiet and as ceremonious
as the Spanish court under Charles II., and even the great Philip
could not have punished the crime of lèse-majesty with more severity
than Gustavus, the fault of neglecting to raise the hat in the street
to him. In Rosenstein he had had a noble tutor, with a thoroughly
independent mind. Gustavus III. had permitted this most honorable
instructor to have full sway. "Rosenstein has my full consent to
educate my son as a philosopher," said he; "the boy will be a royalist
as soon as he ascends the throne." This father, as a matter of course,
was in nowise responsible for that inflexible faith in revealed
religion which allowed his son to read in the Apocalypse prophecies
concerning his own destiny. The fact was, the reaction with which, amid
the fitful changes of the century, the air was everywhere freighted,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account