Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
Neither family tradition nor the force of education led the priest's
son to opposition to Christian dogmas. Together with all the rest of
his intellectually awakened contemporaries he had received, when yet a
boy, the cold douche of Voltaire. When sixteen years old he wrote: "I
am now reading Voltaire; but I do not see how I can get through even
the most important and most essential parts. It is all admirable, and
it is difficult to choose among so many beauties." Most of the young
men of his day who had entertained similar presumptions, were quickly
borne by the altered spirit of the times to religious conservatism. For
this Tegnér was too honest and too great. What insured him from losing
his independence in religious matters was that vigorous element of his
being, called by himself the pagan element, that was the natural result
of the solid structure and the genuine steadfastness of his character.
Two classes of men about him were swept onward in the reaction against
the eighteenth century, with such force that they were borne by it to
orthodoxy, and to feudalism. One class was composed of authors whose
natures were inclined to run through the whole scale of the emotions of
the Middle Ages, that is,--rather in fancy than in reality,--to give
way to contrition and self-contempt in order to be uplifted by the
supernatural aid of grace to everlasting bliss, and whose poetry was
distinguished by an excess of nervous excitability of all forms,--by
mystic Platonic devotion, sighing, melancholy, intensely sensual
erotic tenderness, alarming arrogance. This class formed the romantic
phalanx proper, called in Sweden the Phosphorists. The characteristics
mentioned are apparent in an unequal degree in Atterbom, Stagnelius,
Hammerskjöld, etc., but are found in all. The second class of men had
broader shoulders and healthier spirits; they were historic enthusiasts
who had been blinded by the national sentiment, by the love of the
faith and the institutions of the past, to all that was just and great
in the criticism of the preceding century; such men as Geijer, and the
Gothic union of Upsala, whose centre he was, and to whose national
efforts Tegnér lent his aid without entering into either the religious
or the political sympathies and doctrines of the society.
Public-domain text, read in full here on John Shaqi.
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