Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
With all the more freedom from reserve he has given voice to his
unprejudiced humanism in expressions of sympathy for purely human
greatness, and for those pagan virtues which are condemned by the
church fathers as vices. To Geijer who, to be sure, was not strictly
orthodox, but who was an unconditional believer in divine revelation,
he wrote in the year 1821: "As concerns your opinion that a special
revelation, Christianity, for instance, is theoretically necessary
to the human mind, I must say a doubt may be entertained. It were
difficult to explain why the highest human development, the actual
years of jubilee of our race, should have occurred in the south, as
well as in the north, before the name of Christianity was ever heard.
Let us thank God for our purer faith, but do not let us forget that the
records of the nobility of the human race are full of pagan names."
Whenever Tegnér desires to glorify a character, he does not rest until
he has shown a side from which it appears truly Grecian or Roman. In
order to place this unconscious, purely instinctive effort in the
sharpest light, I choose two examples where he has depicted heroes of
the Christian faith as champions of the days of antiquity, and later
arrives at the conclusion that, owing to preconceived sympathies, he
has erred. In his reformation speech, he had incorporated in the person
of Luther everything that the champions of classic culture of that day,
an Ulrich von Hutten or a Franz von Sickingen, had fought for and
gained. Seven years later, when forced by his official position to more
emphatic historic-theological studies, he writes in deep dejection:
"The lofty conceptions which I cherished in former times, regarding
Luther and the reformation, are greatly modified. How many Luthers
are not yet needed?" In his Festival speech of 1832, he had said of
Gustavus Adolphus that his was "a heroic nature of the great and purely
human stamp of which Greece and Rome had presented so many prototypes,"
and these words, as a whole series of epistolary passages testify,
were chosen with a polemic design, because he knew that the other
orators would represent the king essentially as a theologian in armor,
and a "martyr of the concordance book." Five years later he himself
writes concerning Gustavus Adolphus: "To the height of the now current
cosmopolitan ideas, he was, to be sure, wholly incapable of soaring; as
a forerunner of a new epoch he can scarcely be considered. The freedom
of thought for which he did combat was nothing else than freedom of
conscience, and it is very doubtful if Protestantism ever presented
itself to him from any point of view but the purely theological." More
profound investigation had in this instance, too, brought the honest
poet to renounce the position he had once assumed. But this repeated
withdrawal from an audacious, yet passionately maintained attempt to
find the purely human, the colossal pagan element, in all heroes,--as
Public-domain text, read in full here on John Shaqi.
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