Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
his comrades, he even wished to force a hereditary nobility on Norway,
where all aristocracy had long been abolished.
Under these circumstances, Tegnér felt himself, as it were, a member
of the great European opposition. He pronounces the holy "Mohammedan"
alliance to be a stillborn embryo, "whose burial on the gallows-hill
he had every hopes of living to see;" he calls the politics of the
period "infernal"; he writes to Franzén: "Concerning European politics
of the present day, no honest man, not even a German, can express
himself without a sense of shame and horror. In poetry it can be at
best but the object of a Juvenal satire. To name the truly diabolical
tendency of the obscurantism of the day, whenever there is a question
of anything noble or great, whether it be in verse or in prose, may
be designated a bitter irony." In the politics of the interior, he
demands ministerial responsibility, equality before the law, the right
of voting supplies, parliamentary representation,--in short, the usual
programme of the opposition in liberal Europe. Such were the views
to which he gave publicity in his great speech at the marriage of
Prince Oscar, in 1823,--a noble wine served in polished crystal. In
modern times, according to his conception of affairs, two powers were
confronting each other,--personal merit, which had no other support
than itself, and inherited rank; a plebeian and a patrician principle.
This contrast had appeared in its sharpest form during the struggle
between the despotism that arose from the Revolution, and that which
came from the legitimists. Tegnér calls attention to the fact that the
prince's young bride, who had but shortly before landed in Sweden,
combined through her birth the two contending elements, and thus, as
it were, united the past with the present. For her father (the son
of the Empress Josephine, Eugène Beauharnais), "like so many other
distinguished men, was a son of his own deeds, whose pedigree was an
outgrowth of his sword," and on the maternal side she was descended
from one of the oldest princely families of Europe (the mother of the
bride was Amalie of Bavaria, of the house of Wittelsbach).
Public-domain text, read in full here on John Shaqi.
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