Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
in his mind's ear as of the clash of shields and the whizzing of a
shower of arrows, the rattling of quivers and the clinking of foaming
beakers, the stamping of fiery coursers and the restless flight of
hooded falcons, blows on the sword and strokes with the sword, and
through it all the long, languishing, cooing, dreamy nightingale note
and the still more thrilling call of the quail in the stillness of the
summer night. As regards the scenery he truly had no need to transplant
himself in fancy into its midst; he had become too thoroughly familiar
with it in his childhood and youth in the country to require any such
effort. He knew them well, these trees with white trunks and drooping
crowns; one of them bore two characters in its birch trunk: were these
the letters, "E" and "A," or was it an "F" and an "I" in runes? He
knew, between fir-overgrown coasts, this smooth icy path over which the
steel-footed warrior sped, while behind him came rushing the sledge in
which sat that fair young queen who would soon pass over her own name
on the ice.
"And many a rune, too, on the ice he engraves;
Fair Ing'borg drives o'er her own name on the waves."[11]
And when the springtime came, when the billows beckoned enticingly,
when the sea spoke aloud of deeds of valor, while the boats along the
coast seemed most urgent in their invitations to come on board and seek
a knowledge of the world, he was well aware what a viking must have
felt at such a moment.
"Ellide, too, now has no sport on the sea;
Now ceaseless her cable she jerks to get free."[12]
But it was not possible to journey forth into the world. At the
foster-father's house, at Hilding's,--at Myhrman's, on the Rämen
estate,--dwelt the fairest of the fair, the beloved one whom it was
impossible to forsake. And all the memories of youth, sweet and
childlike, overpower him at this thought. He remembers how it was his
wont to carry to Anna the first anemone that blossomed and the first
strawberry,
"The first pale flow'r that spring had shed,
The strawberry sweet that first grew red."[13]
And he dreams of so many good times when he and she (or was it
Fridthjof and Ingeborg?) paused in their wanderings by the rustling
waters of the forest streamlet, and there was no other way for Ingeborg
to cross than to let him bear her over in his arms, and smiling he
wrote,
"So pleasant feels, when foam-rush 'larms,
The gentle ding of small white arms!"[14]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account