Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
"Ere you begin to distribute your laurels, hand one to me;
Not for myself, but for one through whom I to all would pay
honor.
The Adam of skalds is here, the king of Northern poets.
Heir to the throne in poesy's realm, for the throne is Goethe's.
Oscar, if he but knew it, would surely sanction my action;
Now not in his name, far less in my own, but in that of song
immortal,
That illustrious name, resounding in Hakon and Helge,
Would I proffer this wreath; it grew where Saxo lived.
Past is the age of division,--in realms of the free-born spirit
It should never have been,--and familiar tones now ringing
Across the Sound enchant us all, and yours more than others.
Therefore, Svea offers this wreath, I speak in the name of Svea;
Take from a brother's hand this gift, and wear it this day to
remember."
And amid the din of kettle-drums, trumpets, and cannon, he placed the
wreath on Oehlenschläger's head. May the ceremony belong to the moment
alone, and the kettle-drums, trumpets, cannon, the entire janizary
music vanish on the instant! It was, nevertheless, a grand and a
beautiful moment, and the remembrance of it has tended to fraternize
the northern peoples as little else could have done.
XII.
The year 1830, that brought the July Revolution to France, led to
a change in the political temper of Sweden, and soon in the entire
political situation; it was a year that gave to liberalism a new
impulse, significantly modifying its aims and altering the language
of its press. Before 1830, the ideal of the Swedish liberals had
been freedom; now it became democracy. As a matter of course, the
advance of liberalism drove the conservative groups to the opposite
extreme. Upsala was the headquarters of the reactionary party; here
Geijer held sway, and the loyal students followed him so faithfully
that, in a serenade to Charles John they thus designated their party:
_"obéir, mourir, et se taire"_ (to obey, to die, and keep silence). In
retaliation the Stockholm liberal press called Upsala a foul nest of
Tories, and the university professors, dried-up moles. A new style of
journalism developed itself, which, owing to the prevailing absolutism,
could only obtain a hearing through a personal, unrestrained tone. The
style of this press was frivolous and sharp; it wounded with pin pricks
and _persiflage._ Neither the court nor the person of Charles John was
spared. If this tone pleased in certain circles of the metropolis, it
excited lively displeasure elsewhere, especially in the provincial
towns, and no one was more thoroughly annoyed by it than Tegnér, whose
shattered mind was too thoroughly out of tune to permit him to see
the good that might possibly arise one day from all these sins against
good taste and against respect for the name of the old king. He offered
a passionate protest against it, and the liberal papers attacked him
like a swarm of wasps.
Public-domain text, read in full here on John Shaqi.
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