Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
He attires it in a purple robe, which he fastens at the
shoulders with diamond clasps, and the little fellow laughs, delighted
with all this splendor, and skips about the room with joy. Hamilcar
leads the child away with him. When, with feigned anguish, he is giving
it up to the priests in the court below, there appears, between the
ivory pillars on the third floor of the house, a pale, wretchedly clad,
dreadful looking man, with outstretched arms. "My child!" he cries.
"He is the foster-father of the boy," Hamilcar hastens to say; and, as
though to make the parting brief, he pushes the priests from the door.
When they are gone, he sends the slave the best that his kitchen can
afford,--meat, beans, and conserves. The old man, who for a long time
has not tasted a morsel of food, pounces upon the bounteous supply,
and devours it amid tears. Coming home in the evening, Hamilcar finds
the slave, surfeited and half-intoxicated, lying asleep on the marble
floor of the great hall, through the crevices of whose dome a flood of
moonlight streams. Hamilcar gazes at him, and something akin to pity
stirs within his soul. With the tip of his foot he pushes a rug under
the slumberer's head.
Here is the essence of human universality extracted from a specific
Carthaginian situation.
"Salammbô," as already intimated, created not a little sensation, but
was none the less of a disappointment to the reading world and the
critics. People did not share the author's fondness for colossal and
tropical themes; they did not enjoy wading through long descriptions of
antique catapults, battering-rams and sieges, and they begged Flaubert
to write a new "romance de passion," a love story.
Toward the close of the year 1869, he finally yielded to their
solicitations by issuing his novel "L'éducation sentimentale," his
most characteristic and most profound work, which, however, met with
a decided failure. From this time forth he experienced nothing but
literary defeats. The public favor which had been cooled by "Salammbô,"
now wholly forsook him.
Public-domain text, read in full here on John Shaqi.
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