Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
Flaubert must undoubtedly have felt this himself, for while he
was still at work on "Salammbô" he wrote dejectedly to a friend: "The
study of costumes beguiles us to forget the soul. I would gladly give
the half-ream of paper I have been filling with notes for the past five
months, merely to feel truly moved for three seconds by the passions
of my characters." But he was unable to keep in the background his
descriptions of the surroundings of his theme and the general state
of public sentiment and conditions in the country and period where
the scenes were laid. We feel that his studies follow ever closer and
closer on the tracks of his imagination, precisely as the monster
Maanegarm (the moon-swallower) in Norse mythology pursues the moon, and
the poor moon is continually in danger of being devoured.
The three stories, "A Simple Heart," "The Legend of St. Julian the
Hospitable," and "Herodias" are a triology of master-works: a novel
of the day, a legend of the Middle Ages, and a picture of antiquity.
"Herodias" gives, in the style of "Salammbô," a gloomy, vigorous
portraiture of Palestine in the time of John the Baptist, from which
the inquisitive and gluttonous visage of Vitellius gleams upon the
reader as he gazes into the fading eyes of the decapitated head of
John. "The Legend of St. Julian" is a model of a regeneration of the
spirit of the Middle Ages. No monk has ever written a more genuine
Christian legend than has this freethinker. Nothing can be more
strictly legendary in style than the conclusion about the leprous
beggar who devours Julian's last morsel of bacon and last crumb of
bread, pollutes his plate and cup, and finally not content with
stretching himself upon Julian's couch, demands that Julian shall warm
him with his naked body; When the former prince, in the lowliness of
his heart, humbles himself to do as he is asked, the leper embraces
him with violence, and at the same moment the form of the leper is
transfigured: the eyes become as luminous as the stars, the hair as
long and glittering as the sunbeams, the breath as fragrant as roses.
The roof of the hut flies off, and Julian floats upward in the blue
ether, face to face with the Lord Jesus Christ, who bears him in his
arms to Heaven.
Public-domain text, read in full here on John Shaqi.
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