Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
No novelist, indeed no poet of any kind, had ever attempted
anything similar. It is true, Goethe had written "Die classische
Walpurgisnacht" (The Classic Walpurgis Night); Byron in the second act
of "Cain" had furnished a model for certain portions; Turgenief, in
"Visions," had treated in a masterly way, a remotely related subject
within a very small framework. A drama in seven parts, however,
consisting of one long drawn out monologue, or, more accurately
speaking, a detailed presentation of what had passed, during a night of
terror, through the brain of one single mortal who had become a prey
to hallucinations; such a work had never before been written. And yet
this work, failure though it is in some respects, displayed a quiet
grandeur, in its melancholy monotony, and an absolutely modern stamp,
attained by but few poetic works of French literature.
St. Antonius stands on the threshold of his hut on a mountain in
Egypt. A tall cross is planted in the earth; an old twisted palm-tree
bends over the edge of the precipice; the Nile forms a lake at the
foot of the mountain. The sun is setting. The hermit, exhausted from
a day passed in fasting, labor, and self-torture, feels his spiritual
strength give way, as darkness falls upon the earth. A dreary yearning
for the external world fills his heart. Now sensual, now proud, now
idyllic and laughing memories allure and torment him.
First of all Antonius yearns for his childhood, for Ammonaria, a young
maiden whom he once loved; he thinks of his charming pupil, Hilarion,
who has forsaken him; he curses his solitary life. The migratory birds
that pass over his head awaken within him the desire to fly onward
as they do. He deplores his lot; he begins to lament and groan with
anguish. Why had not he become a peaceful monk in a cell? Why had not
he chosen the calm and useful life of a priest? He wishes that he
were a grammarian or a philosopher, a toll-keeper on a bridge, a rich
married merchant, or a brave, jovial soldier; his physical strength
would then have had employment. He is overcome with despair at his
position, bursts into tears, and seeks consolation and edification in
the Holy Scriptures. Opening at the Acts of the Apostles, he reads the
passage where Peter is permitted to eat all animals, clean or unclean,
while he, Antonius, is tormenting himself with strict fasting. Turning
to the Old Testament at the same time, he reads how the right is
given to the Jews to kill all their enemies, to slaughter them by the
wholesale, while he is commanded to forgive his enemies; he reads of
Nebuchadnezzar, and envies him his festivals; of Ezekias, and shudders
with desire when he thinks of all his precious perfumes and golden
treasures; of the beautiful Queen of Sheba, and asks himself how she
could possibly hope to lead the wise Solomon into temptation; and it
seems to him that the shadows which the two arms of the cross cast on
the earth, approach each other like two horns. He calls upon God, and
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