Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
The little, withered Hilarion, to his alarm, calls his attention to the
fact that in fancy he has been mastered by the enjoyments which in real
life he has renounced, assuring him that God is no Moloch, who forbids
the enjoyment of life, and that the endeavor to understand God is worth
more than all the self-torture in the world. He first points out to
Antonius the contradictions between the Old and the New Testament;
then the various contradictions of the New. And Hilarion grows. Then
there arise in the brain of Antonius recollections of all the heresies
of which he has heard and read in Alexandria and elsewhere, and has
victoriously overcome: the hundreds upon hundreds of heresies of the
early Christian sects; views, of which one is more monstrous than
the other, are howled in his ears by the heretics themselves. They
clamor about him like so many hyenas. Each one belches out its madness
upon him. Hysterical women and the sweethearts of the martyrs cast
themselves wailing upon the ashes of the dead. Antonius sees heretics
who emasculate themselves, heretics who bum themselves. Apollonius of
Tyre reveals himself to him as a miracle-worker in no respect inferior
to Christ. And Hilarion continues to grow. Following in the train of
the heretics come the gods of the different religions in a monstrous
procession, from the most abhorrent and grotesque stone idols and
wooden fetiches of ancient times, to the bloodthirsty gods of Eastern
lands, and the gods of beauty of Greece. They all move swiftly past,
and uttering a loud wail of lamentation, disappear with a wild leap in
the great vacuum. He sees gods that fall into a swoon, others that are
whirled away, others that are crushed, tom to pieces, and precipitated
into a black hole; gods that are drowned or dissolved into air, and
gods that are guilty of self-destruction. Among them looms up Buddha,
who in everything that he narrates concerning himself bears the most
startling resemblance to the Saviour. Finally Crepitus, that Roman god
of digestion, and Jehovah, the Lord of Hosts, make the leap down into
the abyss.
A terrible silence, a deep night ensues.
"They are all gone," says Antonius.
"I still remain," replies a voice.
And Hilarion stands before him, by far larger than before,
transfigured, beautiful as an archangel, radiant as the sun, and so
tall that Antonius is compelled to throw back his head in order to see
him.
"Who are you?"
Hilarion replies: "My kingdom is as large as the world, and my desire
knows no bounds. I am always marching forward, freeing minds and
weighing worlds, without fear, without pity, without love, and without
God. They call me Science."
Antonius recoils in horror. "You are, rather, the devil!"
Public-domain text, read in full here on John Shaqi.
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