Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
What he was as a youth, we must conjecture from his works. From what I
have heard, I imagine him to have been greatly fêted in social circles,
the decided lion of aristocratic houses of Fünen; it has been told to
me that he possessed such humor and so decided a faculty for impromptu
invention, that he would sometimes create on the spur of the moment
an entire little drama, and play it entirely alone, running from one
side of his improvised stage to the other, in order to reply to his own
speeches. I remember, too, having heard that in his younger days he had
experienced a deep heart-grief, a young girl whom he loved having been
snatched from him by death. Very early, at all events, the chain of
bitter experiences, without which he could not have written the first
part of "Adam Homo" in his thirty-first year, subdued his original love
of life, and when still young, he retired from the world, withdrawing
entirely from public, almost entirely from social life, and devoting
himself exclusively to his home, his art, and his theological and
philosophic studies. His marriage was childless, so that even in his
household life there was nothing to fix his gaze on the world without.
The more completely he severed the cords that had bound him to his
surroundings, the more self-controlled and contemplative he became.
Through accidental remarks alone, through words that he dropped in the
course of conversation, without dreaming what an impression they must
make upon a young man, did I gain a clear idea of the nature of the
results at which he had arrived in the course of his life-experience
and knowledge of human nature. These results were not of an optimistic
nature.
Never shall I forget the day when I carried to him a pamphlet, my
first published work. "I thank you," said he. "It will give me great
pleasure to read the book. How soon do you want it back?" "I beg of
you to keep it." "You want to present the book to me. Oh, innocence!
He gives his own books to people. Do you carry it to others as well?
What? To your friends and near acquaintances? Well, believe me, you
will not long continue such a course. This is something authors only
do when they are very young." At that time such a speech excited me to
very much the same opposition as the cold, cruel irony of "Adam Homo";
later I learned to understand better the freedom from illusion and the
caution from which it sprang. To-day Paludan-Müller's reserve appears
only natural to me.
Public-domain text, read in full here on John Shaqi.
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