Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
him to Scandinavianism, Pan-Germanism, and cosmopolitanism,--all
this in its peculiar combination in him is so markedly national, that
his personality may be said to offer a _résumé_ of the entire people.
None of his contemporaries so fully represent this people's love of
home and of freedom, its self-consciousness, rectitude, and fresh
energy. Indeed, just now he also exemplifies, on a large scale, the
people's tendency to self-criticism, not that scourging criticism
which chastises with scorpions, and whose representative in Norway
is Ibsen, in Russia, Turgenief, but that sharp, bold expression of
opinion begotten of love. He never calls attention to an evil in
whose improvement and cure he does not believe, or to a vice which he
despairs of seeing outrooted. For he has implicit faith in the good
in humanity, and possesses entire the invincible optimism of a large,
genial, sanguine nature.
According to his character, he is half chieftain of a clan, half poet.
He unites the two forms most prominent in ancient Norway: that of the
warrior, and that of the skald. In his intellectual constitution he is
partly a tribune of the people, partly a lay preacher; in other words,
he combines, in his public demeanor, the political and religious pathos
of his Norwegian contemporaries, and this was yet more apparent after
he broke loose from orthodoxy than it was before. Since his so-called
apostasy, in fact, he has been a missionary and a reformer to a greater
degree than ever.
He could have been the product of no other land than Norway, and far
less than other authors could he thrive in any but his native soil. In
the year 1880, when the rumor spread through the German press, that
Björnson, weary of continual wrangling at home, was about to settle
in Germany, he wrote to me, "In Norway will I live, in Norway will
I lash and be lashed, in Norway will I sing and die." To hold such
intimate relations with one's fatherland is most fortunate for a person
who is sympathetically comprehended by this fatherland. And this is
the case with Björnson. It is a matter dependent on conditions deeply
rooted in his nature. He who cherishes so profound an enthusiasm for
the reserved, solitary Michael Angelo, and who feels constrained, as
a matter of course, to place him above Raphael, is himself a man of a
totally different temperament,--one who is never lonely, even when most
alone (as he has been since 1873 on his _gard_ in remote Gausdal), but
who is social to the core, or more correctly speaking, a thoroughly
national character. He admires Michael Angelo because he reveres and
understands the element of greatness, of profound earnestness, of
mighty ruggedness in the human heart and in style; but he has nothing
in common with the great Florentine's melancholy sense of isolation.
He was born to be the founder of a party, and was, therefore, early
attracted to enthusiastic and popular party leaders, such as the Dane
Public-domain text, read in full here on John Shaqi.
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