Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
Its beauty, its strength, its power of flight, and its grace, we do
not see by observing its limits, but by following its many and bold
movements within its circle. Upon this fact we will in conclusion cast
a glance. The nursery story field lies before us like a large, rich
flowery plain. Let us freely stroll about this, let us cross it in all
directions, now plucking a flower here, now there, rejoicing in its
coloring, its beauty, its _tout-ensemble._ These brief little poetic
creations stand in the same relation to the poetry of greater compass
as little flowers to the trees of the forest. Whoever on a beautiful
day in spring takes a walk in a forest by the seaside in order to view
the beeches in their youthful splendor, with their brown velvety buds
encased in light green silk, and after gazing aloft for awhile bends
his eyes downward to the earth, will find that the carpet of the forest
is as beautiful as its ceiling of tree-tops. Here grow in lowly state
many colored anemones, white and dark red mayflowers, yellow stars
of Bethlehem, and saxifrage, starwort, buttercups and dandelions.
Near together are the buds, the full-blown flowers, and those which
already bear seed, the virgin and the fecundated plants, the flowers
without fragrance and those with pleasant perfume, the poisonous, and
the useful, the healing weed. Frequently the plant which takes the
humblest place in the system, as the flowerless fern, is the most
beautiful to the eye. Flowers which seem to be complex prove on closer
scrutiny to consist of very few leaves, and plants whose bloom seems
to be one flower, bear on their top a wealth of blossoms only united
by the stalk. So, too, it is with the nursery stories. Those which in
respect to their worth seem the most insignificant, as "The Leap-Frog,"
often contain a whole life philosophy in a nutshell, and those which
appear to be a single whole, as "The Galoshes of Fortune," are often
composed of a loosely united cluster of blossoms. Some are in the bud,
as "The Drop of Water"; others are about bursting the seed, as "The
Jewish Girl," or "The Stone of the Wise Men." Some consist of but a
single point, as "The Princess on the Pea"; others have grand, noble
form, as "The Story of a Mother," a tale that is a special favorite in
India, and that resembles that tropical flower, the calla, which in its
sublime simplicity consists of but a single leaf.
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