Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
I opened the door. Without there stood a tall, thin, elderly man, in a
rather long black frock-coat buttoned about the waist. "Walk in!" said
I, and resumed my book without bestowing further scrutiny upon him. But
the man stood still, raised his hat, and questioningly mentioned my
name. "That is my name," I replied, and before I could ask any question
in return, I heard uttered in a subdued voice, the words, "I am Mr.
Mill." Had the gentleman introduced himself as the king of Portugal,
I could scarcely have been more astonished, and I do not know what
he could have said that for the moment would have given me greater
pleasure. My feeling was the same that a corporal of the young guards,
under the first empire, might have experienced, had the great Napoleon,
during one of his rounds in the camp, paid him the honor to notice his
existence by giving his ear a pull.
I had attempted to make Stuart Mill known in my fatherland, and on
this account he had repeatedly written to me, besides sending numerous
pamphlets and newspapers, likely to be of interest to me, both to
Copenhagen and to Paris; so he knew my address, and as he was passing
through Paris, where, strange to relate, he did not possess a single
acquaintance, he did not hesitate to traverse the long distance from
the Windsor Hotel to the Rue Mazarin to honor his young correspondent
with a visit.
As he mentioned his name to me, I recalled at once his portrait. It
gave, however, as little idea of the expression of his countenance
and the hue of his skin, as of the way in which he walked and stood.
Although sixty-four years of age, his complexion was as pure and fresh
as that of a child. He had the smooth, childlike skin and the rosy
cheeks that are scarcely ever seen in elderly men of the continent,
but that not seldom may be observed in the white-haired gentlemen who
take their noonday horseback rides in Hyde Park. His eyes were bright,
and of a deep, dark blue, his nose slender and curved, his brow high
and arched, with a strongly marked protuberance over the left eye; he
looked as though the labor of thought might have forced its organs to
extend in order to make more room. The face, with its large and marked
features, was full of simplicity, but was not calm; it was, indeed,
continually distorted by a nervous twitching, which seemed to betray
the restless, tremulous life of the soul. In conversation, he had
difficulty in finding words, and sometimes stammered at the beginning
of a sentence. Seated comfortably in my room, with his fresh, superb
physiognomy, and his powerful brow, he looked like a younger and more
vigorous man than he really was. When I accompanied him on the street
later, however, I observed that his walk, in spite of its rapidity, was
rather halting, and that, notwithstanding his slender form, age had
left its impress on his bearing. His dress made him seem older than he
was. The old-fashioned coat he wore proved how indifferent he was to
his external appearance.
Public-domain text, read in full here on John Shaqi.
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