Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 1 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 1 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
This journey of Rinaldo and the
evil spirit forms a curious episode. They converse together on their way
concerning things divine and infernal. On coming to this passage, the
reader is struck by the lofty tone the poet assumes: there is a mingled
disdain, dignity, and regret in the fallen angel, that moves at once
compassion and respect: he is thus described[88]:--
"This was a demon fell, named Astorot;
No airy sprite, nor wanton fairy he;
His home was down in the infernal grot.
And he was wise and fierce prodigiously."
It has been supposed that Pulci did not write this portion of the poem.
Panizzi does not hesitate to give credit to the assertion of Tasso[89],
who declares that it was written by Ficino. But Tasso affirms this
merely upon hearsay, which is slender authority. There is nothing to
which contemporaries are more prone than to discover that an author does
not write his own works. There is nothing in the style of these stanzas
unlike Pulci's best and more serious verses. Rinaldo's journey, thus
accelerated, was however to no purpose in saving his cousin; he could
only assist in his revenge--and the poem concludes with the hanging of
Gano and Marsiglio, archbishop Turpin kindly undertaking to perform the
last office for the king with his own hand, and ties him up to the
famous carob tree.
The great beauty of the Morgante, besides scenes and passages of pathos
and beauty, is derived from the simple, magnanimous, and tender
character of Orlando. Charlemagne is a doting old man, Gano a traitor,
Rinaldo a violent and headstrong warrior or robber, Astolfo
vainglorious, but all are selfish and erring, except the singleminded
and generous conte di Brava. He is the model of a true
knight,--compassionate, sincere, and valiant: his death is courageous
and pious: he thinks of the grief of the emperor, and the mourning of
his wife Aldabella, and after recommending them to God, he embraces his
famous sword Durlindana, and pressing it to his heart, and comforted by
an angel from God, he fixes his eyes on heaven and expires.
CIECO DA FERRARA
Public-domain text, read in full here on John Shaqi.
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