Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
Tasso, soon tiring of Mantua, and even languishing for Ferrara, though
never permitted to return thither, wore away the residue of his
desultory life, principally at Bergamo, Florence, Rome, and Naples. In
the latter city (his sister being dead), when it was too late for him to
enjoy the possession of it, he recovered his mother's long-disputed
dowry, or such a portion of it as, at an earlier period, might have
rendered him independent of those eleemosynary supplies from precarious
hands, on which he generally subsisted. About the same time the pope
also settled a pension upon him, and consented to allow him the honour
of a coronation, such as had been granted to Petrarch, two centuries
before. But wealth and honour, such as mortal hands could confer or
withhold at pleasure, came too late for him. In his latter years, too,
he became acquainted with Manso, marquis of Villa, his last patron, and
his first biographer; known in this country as, in his old age,
befriending our Milton, then a youth, on his travels in Italy, as, in
his own youth, he had befriended Tasso sinking to the grave under
premature decay.
One of the most remarkable circumstances of the last days of Tasso was
the imagination, that he was occasionally visited by a spirit--not the
mischievous Robin-good-fellow of his prison, but a being of far higher
dignity, with whom, alone or in company, he could hold sublime and
preternatural discourse, though of the two interlocutors none present
could see or hear more than the poet himself, rapt into ecstasy, and
uttering language and sentiments worthy of one who, with his bodily, yet
marvellously enlightened eyes and purged ears, could distinguish the
presence and the voice of his mysterious visitant. Manso gives a strange
account of such an interview, when he himself stood by, yet perceived
nothing but the half-part which the poet acted in the scene.
Public-domain text, read in full here on John Shaqi.
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