Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
Unwilling, however, to burden them with his maintenance, he
hastened to take leave; the curate lent him his horse, and sent his
servant with him to defray the expenses of the day's journey to Brescia.
From Brescia, Goldoni proceeded to Verona. He was in a deplorable
situation; he only possessed a few sequins, lent him by an adventurer
whom he met by accident at Brescia; but with "Belisarius" in his pocket,
he did not fear the enmity of fortune, and "Belisarius" did not prove so
false a friend as "Amalassunta." When at Verona, he went to the
celebrated amphitheatre, a portion of which was arranged as a theatre,
and here a drama was about to be performed. To his infinite joy, he
discovered in the principal actor a man who had formed one in the
companions of the mountebank at Milan, and for whom he had promised to
write "Belisarius." He instantly went behind the scenes, and was
welcomed with joy. He was on the moment installed poet to the company.
"Belisarius" was read, approved, and the parts distributed. In the month
of September they proceeded to Venice. Goldoni was presented to the
proprietor of the theatre, who received him with kindness. On the 24th
of November, 1734, he being then twenty-seven years of age, "Belisarius"
was acted, and met with the most complete success. All actors in Italy
are strollers, and looked upon with a good deal of contempt. Goldoni
might have been expected to regret the exchange he had made from the
honourable profession of an advocate, for that of poet to a theatre; but
his light heart and easy temper were not to be afflicted by trifles of
this nature, and the talent that perpetually impelled him to take
interest in theatricals, prevented him from feeling degraded by his
association with the professors of the art: and their existence and all
its vicissitudes bear another aspect under a sunny sky, and amidst a
laughter-loving people, unspoilt by pride. Goldoni had much of the
spirit of Gil Blas in his disposition, and possessed in his own person
all the talent which belongs, not to the hero of that book, but its
author. Several pieces, operas, and interludes of his were brought out;
and in the spring he accompanied the actors to Padua and to Friuli,
where, leaving them, he returned to Venice to see his mother, who had
arrived there from Modena. His success as an author, and the talent he
displayed, raised him in the estimation of his fellow-citizens. His
relations crowded around him; and he repaid their kindness by relating
his adventures to his old uncles and aunts, making those laugh, who had
never laughed before. In September the actors returned to Venice, and he
recommenced his labours, which were not all literary, but interspersed
by those occasioned by the jealousy of the actors, or rather of the
actresses. After the winter season had passed, he consented to accompany
the manager to Genoa and Florence, and was glad, without expense, to
visit two of the most celebrated cities of Italy.
Public-domain text, read in full here on John Shaqi.
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