Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
The transfer, however, was not completed without a good deal of
annoyance; and Alfieri was irritated, at one time, into making a
declaration, that, if his brother-in-law would not receive the donation,
he must the count's abandonment of his whole property; and that he would
resign his claim to every possession rather than be fettered by the laws
attendant upon keeping it. In the exaltation of his imagination, he
almost imagined that this latter offer would be acted on; and, finding
himself reduced to merely a few thousand sequins of ready money, he fell
into his second fit of avarice, selling his horses, and all his
superfluous plate, furniture, and even dress, renouncing the Sardinian
uniform, to which he had adhered, from boyish vanity, even after
quitting the service. He spent a good deal of money in books; but this
was his sole expense; while his abstemiousness of living, directed by
economy, became of the most rigid kind. Thus, even in extremes, resolved
never to marry, resolved to be an author, he completed sacrifices, which
a thousand circumstances might afterwards have caused him to regret, but
which, he assures us, he never for a moment repented. He did not confide
the secret of this change in his affairs to the countess until it was
past recal; for, as their ultimate effect was to render their union more
stable and permanent, he felt that she might consider it right, as a
mark of her disinterestedness, to oppose them. When all was over, her
blame was of no avail, and she forgave the mystery he had practised.
These various annoyances, joined to the perturbations of love, and the
ardour of his literary application, occasioned an illness from which he
only recovered when the season of summer brought that healthiness of
feeling, that lightness of spirit, and that energy for composition,
which summer and its heats always imparted to his constitution. During
this summer, Alfieri, as he tells us, "in a frantic delirium of a love
of freedom," wrote his tragedy of the "Pazzi," and that of "Mary Stuart"
(Mary Queen of Scots); the latter at the request of the countess of
Albany. During the following year he completed these and made the first
sketch of "Rosmunda," "Ottavia," and "Timoleon." Since his tragedies
have become so numerous, and many of his best are written, it will be as
well to glance over them, and to give some account of his progress and
success in an art to which he devoted his life and fortune.
Public-domain text, read in full here on John Shaqi.
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