Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
We may conclude with this description of the outward man, emanating from
one who revered and loved him as a preceptor and a friend. The world, in
the days succeeding to those of revolution and preceding those of
reform, was much divided between those who despaired and those who
hoped. The latter now triumph; but Monti died before the milder light
dawned on the world, and while change appeared inevitably accompanied by
bloodshed and misery. His compassionate heart preferred the peace of
submission, both for himself and others, to the suffering attendant on
defeated struggles; and errors springing from so humane a source may be
forgiven, even by those whose ardent natures lead them to overlook the
toil and danger of the journey, in the hope of attaining the
accomplishment of their desires.
[Footnote 52: Maffei; Storia della Litteratura Italiana.]
[Footnote 53: Bonetti.]
UGO FOSCOLO
1778-1827.
The most necessary quality of an author is, that he should impress us
with the conviction that he has something to say. In reading his pages,
we ought to feel that he puts down the overflowing of his mind--ideas
and notions which, springing up spontaneously, force a birth for
themselves from the womb of silence, and acquire an existence through
their own native energy and vitality. An author, therefore, is a human
being whose thoughts do not satisfy his mind, ruminated on merely in his
own isolated bosom: he requires sympathy, a world to listen, and the
echo of assent from his fellow-creatures. But this is not all. Few men
can be excited by a mere abstraction, by the images of their own mind,
and the desire of communicating them for the benefit of their
fellow-creatures. Pride or vanity mingle essentially in the fabric of a
writer's mind: the pride which leads him to desire to build up an
enduring monument for his name, formed from his own compositions; or the
vanity that leads him to introduce himself to the reader, and to court
the notoriety which usually attends those who let the public into the
secret of their individual passions or peculiarities.
Public-domain text, read in full here on John Shaqi.
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