Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
In all this, it is not to be supposed that they were servile imitators
of the Italians; they were at first their pupils, but nothing more.
Originality is the great distinctive of the Spanish character. Every
line each author wrote was in its turn of thought and expression
national. The conceits resulting from a meeting of ardent imaginations
with ardent passions, which brought the whole phenomena of nature in the
poet's service,--the burning emotions, the very constant brooding on one
engrossing subject,--all belonged to a people whose souls were fiery,
proud, and concentrated.
Still the Spaniards had found no peculiar form in which to embody the
characteristics of the nation. Perhaps the gay sally of a youthful
student. Lazarillo de Tormes, of Mendoza, was the most national work yet
produced. In Italy the sort of free epic, introduced by Bojardo, became
the expression of national tastes and character. This sort of
composition never took deep root in Spain. The authors were too
circumvented by the inquisition to dare say much; thus we shall find in
the end, that the theatre became the body informed by Spanish poets with
a soul all their own, where passions and imaginations, the most ardent
and the most wild, the most true and the most beautiful, found
expression.
All the authors hitherto mentioned were horn at the very commencement of
the sixteenth century. By the time they had arrived at the age of
manhood, the policy and success of Charles V. had established him firmly
on the Spanish throne, and was extending far and wide the glory of his
name. To fight for and to serve him was the Spaniards' duty: they had
not yet suffered by the yoke, but they had yielded to it. At first the
nobles of the land were the sole authors, while writing was merely a
taste, a study, or an amusement; soon it was followed, for purposes of
gain and reputation by men of inferior rank, who were endowed with
genius; authorship became general; and poetry grew into one of the chief
pleasures of the court.
[Footnote 31: Bouterwek. Pellicer.]
[Footnote 32: Bouterwek.]
ERCILLA
1533-1600.
Public-domain text, read in full here on John Shaqi.
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