Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
We have little trace of how he exercised his pen during this interval.
The house of the celebrated painter Francisco Pacheco, master and
father-in-law of Velasquez, was then frequented by all the men of
education in Seville: the painter was also a poet, and Rodrigo Caro
mentions that his house was an academy resorted to by all the literati
of the town. Cervantes was numbered among them; and his portrait is
found among the pictures of more than a hundred distinguished persons,
painted and brought together by this artist. The poet Jauregui, who also
cultivated painting, painted his portrait, and was numbered among his
friends. Here Cervantes became the friend of Herrera, who spent his life
in Seville, secluded from the busy world, but venerated and admired by
his friends. Cervantes, in after days, wrote a sonnet to his memory, and
mentions him with fond praise in his "Voyage to Parnassus." Viardôt
assures us, that it was during his residence at Seville that Cervantes
wrote most of his tales. This appears probable. Certainly he did not
lose the habit of composition. Much of the material of these stories was
furnished him by incidents that actually occurred in Seville; and when
we see the mastery of invention and language he had acquired when he
wrote "Don Quixote," we may believe that these tales occupied his pen
when apparently, in a literary sense, idle.
It seems that, at Seville, and during his distasteful employments there,
he acquired that bitter view of human affairs displayed in "Don
Quixote." Yet it is wrong to call it bitter. Even when his hopes were
crushed and blighted, a noble enthusiasm survived disappointment and
ill-treatment; and, though he looks sadly, and with somewhat of
causticity on human life, still no one can mistake the generous and
lofty aspirations of his injured spirit throughout. We have two sonnets
of his, written at Seville, which justify the idea, however, that there
was something in this city (as is usually the case with provincial
towns), that peculiarly excited his spirit of sarcasm. The first of
these sonnets was written in ridicule of some recruits gathered together
by a captain Bercerra to join the forces sent under the duke of Medina,
to repel the disembarcation of the earl of Essex, who hovered near Cadiz
with his fleet.
Public-domain text, read in full here on John Shaqi.
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