Emmeline, the Orphan of the CastleSmith, Charlotte
General
Emmeline, the Orphan of the Castle
Smith, Charlotte
Gothic fiction; Great Britain -- Social life and customs -- 18th century -- Fiction; Marriage -- Fiction; Single women -- Fiction
'At length, my dear Emmeline, I am near you, and can tell you I
still love you; tho' even that satisfaction I am forced to snatch
unknown to my mother. Oh, Emmeline! I tremble for your situation
to-morrow. The dislike that both my mother and sister have taken to
you, is inconceivable; and I am afraid that you will have a great
deal of rudeness and unkindness to encounter. I write this to
prepare you for it; and hope that your conscious innocence, and the
generosity with which you have acted, will support you. I have been
taken to task most severely by my mother for my partiality to you;
and my sister, in her contemptuous way, calls you my sweet
sentimental friend. To be sure my brother's absence is a dreadful
thing; and great allowances are to be made for my mother's
vexation; tho' I own I do not see why it should prevent her being
just. I will try to be in the room to-morrow, tho' perhaps I shall
not be permitted. Don't say you have heard from me, for the world;
but be assured I shall always love you as you deserve, and be most
truly
your affectionate and faithful,
A. DELAMERE.'
_Berkley-square, Dec. 5._
CHAPTER II
Emmeline had the convenience of Mrs. Ashwood's carriage, who agreed to
set her down in Berkley-square. She was herself sitting for her picture;
and told Miss Mowbray she would send the chariot back for her when she
got to the house of the painter.
Exactly at ten o'clock they arrived at the door of Lord Montreville; and
Emmeline, who had been arguing herself into some degree of resolution as
she went along, yet found her courage much less than she thought she
should have occasion for; and with faultering steps and trembling nerves
she went up stairs. The man who conducted her, told her that his Lady
was not yet up, and desired her to wait in an anti-room, which was
superbly furnished and covered with glasses, in which Emmeline had
leisure to contemplate her pale and affrighted countenance.
The longer the interview was delayed the more dreadful it appeared. She
dared not ask for Miss Augusta; yet, at every noise she heard, hoped
that amiable girl was coming to console and befriend her. But no Augusta
appeared. A servant came in, mended the fire, and went down again; then
Miss Delamere's maid, under pretence of fetching something, took a
survey of her in order to make a report to her mistress; and Emmeline
found that she was an object of curiosity to the domesticks, who had
heard from Millefleur, and from the other servants who had been at
Swansea, that this was the young woman Mr. Delamere was dying for.
An hour and a half was now elapsed; and poor Emmeline, whose imagination
had been busied the whole time in representing every form of insult and
contempt with which she expected to be received, began to hope that Lady
Montreville had altered her intention of seeing her.
Public-domain text, read in full here on John Shaqi.
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