At once the whole of the cavalry followed suit. The head (or right wing) and centre were not closely engaged, and their fleeter opponents had time to ride off, but the rear of the column carried all before it in its impetuous onset, and cut down the Saracens in great numbers. A second charge, followed by a third, dispersed the enemy in all directions. The total loss of the Saracens was more than tenfold that of the Christians, who lost but seven hundred men. The army arrived at Jaffa on the 10th of September. See Oman, _Hist. of the Art of War_, ii. 303-317. ARSURE, a village of France in the department of Jura, has some stone quarries and extensive layers of peat in its neighbourhood. Its church has a choir dating from the 11th century. Pop. 370. ARSURES, a village of France in the department of Jura, situated on a small stream, the Lurine. It is surrounded by vineyards, from which excellent wine is produced. Pop. 233. ART, a word in its most extended and most popular sense meaning everything which we distinguish from Nature. Art and Nature are the two most comprehensive genera of which the human mind has formed the conception. Under the genus Nature, or the genus Art, we include all the phenomena of the universe. But as our conception of Nature is indeterminate and variable, so in some degree is our conception of Art. Nor does such ambiguity arise only because some modes of thought refer a greater number of the phenomena of the universe to the genus Nature, and others a greater number to the genus Art. It arises also because we do not strictly limit the one genus by the other. The range of the phenomena to which we point, when we say Art, is never very exactly determined by the range of the other phenomena which at the same time we tacitly refer to the order of Nature. Everybody understands the general meaning of a phrase like Chaucer's "Nature ne Art ne koude him not amende," or Pope's "Blest with each grace of nature and of art." In such phrases we intend to designate familiarly as Nature all which exists independently of our study, forethought and exertion--in other words, those phenomena in ourselves or the world which we do not originate but find; and we intend to designate familiarly as Art all which we do not find but originate--or, in other words, the phenomena, which we add by study, forethought and exertion to those existing independently of us. But we do not use these designations consistently. Sometimes we draw an arbitrary line in the action of individuals and societies, and say, Here Nature ends and Art begins--such a law, such a practice, such an industry even, is natural, and such another is artificial; calling those natural which happen spontaneously and without much reflection, and the others artificial. But this line different observers draw at different places. Sometimes we adopt views which waive the distinction altogether. One such view is that wherein all phenomena are regarded as equally