Ellenborough went to India in order "to restore peace to Asia," but the
whole term of his office was occupied in war. On his arrival there the
news that greeted him was that of the massacre of Kabul, and the sieges
of Ghazni and Jalalabad, while the sepoys of Madras were on the verge of
open mutiny. In his proclamation of the 15th of March 1842, as in his
memorandum for the queen dated the 18th, he stated with characteristic
clearness and eloquence the duty of first inflicting some signal and
decisive blow on the Afghans, and then leaving them to govern themselves
under the sovereign of their own choice. Unhappily, when he left his
council for upper India, and learned the trifling failure of General
England, he instructed Pollock and Nott, who were advancing triumphantly
with their avenging columns to rescue the British captives, to fall
back. The army proved true to the governor-general's earlier
proclamation rather than to his later fears; the hostages were rescued,
the scene of Sir Alexander Burnes's murder in the heart of Kabul was
burned down. Dost Mahommed was quietly dismissed from a prison in
Calcutta to the throne in the Bala Hissar, and Ellenborough presided
over the painting of the elephants for an unprecedented military
spectacle at Ferozepur, on the south bank of the Sutlej. But this was
not the only piece of theatrical display which capped with ridicule the
horrors and the follies of these four years in Afghanistan. When Sultan
Mahmud, in 1024, sacked the Hindu temple of Somnath on the north-west
coast of India, he carried off, with the treasures, the richly studded
sandal-wood gates of the fane, and set them up in his capital of
Ghazni. The Mahommedan puppet of the English, Shah Shuja, had been
asked, when ruler of Afghanistan, to restore them to India; and what he
had failed to do the Christian ruler of opposing Mahommedans and Hindus
resolved to effect in the most solemn and public manner. In vain had
Major (afterwards Sir Henry) Rawlinson proved that they were only
reproductions of the original gates, to which the Ghazni moulvies clung
merely as a source of offerings from the faithful who visited the old
conqueror's tomb. In vain did the Hindu sepoys show the most chilling
indifference to the belauded restoration. Ellenborough could not resist
the temptation to copy Napoleon's magniloquent proclamation under the
pyramids. The fraudulent folding doors were conveyed on a triumphal car
to the fort of Agra, where they were found to be made not of sandalwood
but of deal. That Somnath proclamation (immortalized in a speech by
Macaulay) was the first step towards its author's recall.
Public-domain text, read in full here on John Shaqi.
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