BIBLIOGRAPHY.--Lady Alford, _Needlework as Art_ (London, 1886); Mrs M. Barber, _Some Drawings of Ancient Embroidery_ (ib., 1880); P. Blanchet, _Tissus antiques et du haut moyen-âge_ (Paris, 1897); F. Bock, _Die Kleinodien des Heiligen Römischen Reiches Deutscher Nation_ (Vienna, 1864); M. Charles, _Les Broderies et les dentelles_ (Paris, 1905); Mrs Christie, _Embroidery and Tapestry Weaving_ (London, 1906); A.S. Cole, C.B., "Some Aspects of Ancient and Modern Embroidery" (_Soc. of Arts Journal_, liii., 1905, pp. 956-973); R. Cox, _L'Art de décorer les tissus_ (Paris, Lyons, 1900); L.F. Day, _Art in Needlework_ (London, 1900); A. Dolby, _Church Embroidery_ (_ib._, 1867), and _Church Vestments_ (_ib._, 1868); M. Dreger, _Künstlerische Entwicklung der Weberei und Stickerei_ (Vienna, 1904); Madame I. Errera, _Collection de broderies anciennes_ (Brussels, 1905); L. de Farcy, _La Broderie_ (Paris, 1890); R. Forrer, _Die Gräber und Textilfunde von Achmim-Panopolis_ (Strassburg, 1891); F.R. Fowke, _The Bayeux Tapestry_ (London, 1898); Rev. C.H. Hartshorne, _On English Medieval Embroidery_ (_ib._, 1848); M.B. Huish, _Samplers and Tapestry Embroideries_ (_ib._, 1900); A.F. Kendrick, _English Embroidery_ (_ib._, 1905); _English Embroidery executed prior to the Middle of the 16th Century_ (Burlington Fine Arts Club Exhibition, 1905, introduction by A.F. Kendrick); E. Lefebure, _Embroideries and Lace_, translated by A.S. Cole, C.B. (London, 1888); F. Marshall, _Old English Embroidery_ (_ib._, 1894); E.M. Rogge, _Moderne Kunst-Nadelarbeiten_ (Amsterdam, 1905); South Kensington Museum, _Catalogue of Special Loan Exhibition of Decorative Art Needlework_ (1874); W.G.P. Townshend, _Embroidery_ (London, 1899). For further examples of ecclesiastical embroidery see the articles CHASUBLE, COPE, DALMATIC and MITRE. (A. F. K.; A. S. C.) FOOTNOTES: [1] See H. Carter and P.E. Newberry, _Cat. gén. des ant. égypt. du musée du Caire_ (_1904_), pl. i. and xxviii. A remarkable piece of Egyptian needlework, the funeral tent of Queen Isi em Kheb (XXIst Dynasty), was discovered at Deir el Bahri some years ago. It is described as a mosaic of leatherwork--pieces of gazelle hide of several colours, stitched together (see Villiers Stuart, _The Funeral Tent of an Egyptian Queen, 1882_). [2] The procession at this festival is represented upon the frieze of the Parthenon. [3] See _Compte rendu de la Comm. Imp. Arch., 1878-1879_ (St Petersburg), pl. iii. and v. [4] For an account of the conditions under which Greek and Roman embroiderers worked, see Alan S. Cole, "Some Aspects of Ancient and Modern Embroidery," _Journal of the Society of Arts_, vol. liii., 1905, pp. 958, 959. [5] Chiefly tunics with vertical bands (_clavi_) and medallions (_orbiculae_), and an ample outer robe or cloak.