The first lesson taught by improved artillery was that the walls
should not be set up on high as targets, but in some manner screened.
One method of doing this in the case of old works was by placing
bulwarks in front of them. In other cases the lists or outer walls,
being surrounded by moats, were already partially screened and
suitable for conversion into the main defence; and as with improved
flanking defence great height was no longer essential, the tops of the
walls were in some cases cut down. In new works it was natural to sink
the wall in a ditch, the earth from which was useful for making
ramparts.
As regards resistance to the effect of shot, it was found that thin
masonry walls with rubble filling behind them were very easily
destroyed. A bank of earth behind the wall lessened the vibration of
the shot, but once a breach was made the earth came down, making a
slope easy of ascent. To obviate this, horizontal layers of brushwood,
timber and sometimes masonry were built into the earth bank, and
answered very well (fig. 7).
[Illustration: FIG. 7.]
[Illustration: FIG. 8.]
[Illustration: FIG. 9.]
Another expedient of still greater value was the use of counterforts.
The earliest counterforts were simply buttresses built _inward_ from
the wall into the rampart instead of _outward_ (fig. 8). Their effect
was to strengthen the wall and make the breaches more difficult of
ascent. An alternative arrangement for strengthening the wall was an
arched gallery built behind it under the rampart (fig. 9). This
construction was in harmony with the idea, already familiar, of a
passage in the wall from which countermines could be started; but it
has the obvious weakness that the destruction of the face wall takes
away one of the supports of the arch. The best arrangement, which is
ascribed to Albert Durer, was the "counter-arched revetment." This
consisted of a series of arches built between the counterforts, with
their axes at right angles to the face of the wall. Their advantage
was that, while supporting the wall and taking all the weight of the
rampart, they formed an obstacle after the destruction of the wall
more difficult to surmount than the wall itself and very hard to
destroy. The counter-arches might be in one, two or three tiers,
according to the height of the wall (figs. 10 and 11, the latter
without the earth of the rampart and showing also a countermine
gallery).
The rampart.
Public-domain text, read in full here on John Shaqi.
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