In profane literature the writing of history takes the first place, as
regards both form and substance. The Greeks have always been deeply
interested in history, and they have never omitted, amid all the
vicissitudes of their existence, to hand down a record to posterity.
Thus, they have produced a literature extending from the Ionian
logographers and Herodotus down to the times of Sultan Mahommed II. In
the Byzantine period all historical accounts fall under one of two
groups, entirely different, both in form and in matter, (1) historical
works, the authors of which described, as did most historians of ancient
times, a period of history in which they themselves had lived and moved,
or one which only immediately preceded their own times; and (2)
chronicles, shortly recapitulating the history of the world. This latter
class has no exact counterpart in ancient literature. The most clearly
marked stage in the development of a Christian-Byzantine universal
history was the chronicle (unfortunately lost) written by the Hellenized
Jew, Justus of Tiberias, at the beginning of the 2nd century of the
Christian era; this work began with the story of Moses.
Byzantine histories of contemporary events do not differ substantially
from ancient historical works, except in their Christian colouring. Yet
even this is often very faint and blurred owing to close adherence to
ancient methods. Apart from this, neither a new style nor a new critical
method nor any radically new views appreciably altered the main
character of Byzantine historiography. In their style most Byzantine
compilers of contemporary history followed the beaten track of older
historians, e.g. Herodotus, Thucydides, and, in some details, also
Polybius. But, in spite of their often excessive tendency to imitation,
they displayed considerable power in the delineation of character and
were not wanting in independent judgment. As regards the selection of
their matter, they adhered to the old custom of beginning their
narrative where their predecessors left off.
Public-domain text, read in full here on John Shaqi.
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