Among all these writers, the palm undoubtedly belongs to Charles Wesley. In the first volume of hymns published by the two brothers are several good translations from the German, believed to be by John Wesley, who, although he translated and adapted, is not supposed to have written any original hymns; and the influence of German hymnody, particularly of the works of Paul Gerhardt, Scheffler, Tersteegen and Zinzendorf, may be traced in a large proportion of Charles Wesley's works. He is more subjective and meditative than Watts and his school; there is a didactic turn, even in his most objective pieces, as, for example, in his Christmas and Easter hymns; most of his works are supplicatory, and his faults are connected with the same habit of mind. He is apt to repeat the same thoughts, and to lose force by redundancy--he runs sometimes even to a tedious length; his hymns are not always symmetrically constructed, or well balanced and finished off. But he has great truth, depth and variety of feeling; his diction is manly and always to the point; never florid, though sometimes passionate and not free from exaggeration; often vivid and picturesque. Of his spirited style there are few better examples than "O for a thousand tongues to sing," "Blow ye the trumpet, blow," "Rejoice, the Lord is King" and "Come, let us join our friends above"; of his more tender vein, "Happy soul, thy days are ended"; and of his fervid contemplative style (without going beyond hymns fit for general use), "O Thou who earnest from above," "Forth in Thy name, O Lord, I go" and "Eternal beam of light divine." With those whose taste is for hymns in which warm religious feelings are warmly and demonstratively expressed, "Jesus, lover of my soul," is as popular as any of these. Olivers. Of the other Wesleyan hymn-writers, Olivers, originally a Welsh shoemaker and afterwards a preacher, is the most remarkable. He is the author of only two works, both odes, in a stately metre, and from their length unfit for congregational singing, but one of them, "The God of Abraham praise," an ode of singular power and beauty. Cennick, Hammond, Byrom. The Moravian Methodists produced few hymns now available for general use. The best are Cennick's "Children of the heavenly King" and Hammond's "Awake and sing the song of Moses and the Lamb," the former of which (abridged), and the latter as varied by Madan, are found in many hymn-books, and are deservedly esteemed. John Byrom, whose name we have thought it convenient to connect with these, though he did not belong to the Moravian community, was the author of a Christmas hymn ("Christians awake, salute the happy morn") which enjoys great popularity; and also of a short subjective hymn, very fine both in feeling and in expression, "My spirit longeth for Thee within my troubled breast." Toplady.