The prejudice we are considering is closely connected with the Manichaean view of matter, which in strict consistency rejected the belief that God was really made flesh, or really died on the cross. The Manichaeans were therefore, by reason of their dualism, arch-enemies no less of Christian art than of relics and cross-worship; the Monophysites were equally so by reason of their belief that the divine nature in Christ entirely absorbed and sublated the human; they shaded off into the party of the _aphthartodoketes_, who held that his human body was incorruptible and made of ethereal fire, and that his divine nature was impassible. Their belief made them, like the Manichaeans, hostile to material portraiture of Christ, especially of his sufferings on the cross. All these nearly allied schools of Christian thought could, moreover, address, as against the image-worshippers, a very effective appeal to the Bible and to Christian antiquity. Now Egypt, Asia Minor, Armenia, western Syria and the Hauran were almost wholly given up to these forms of opinion. Accordingly in all the remains of the Christian art of the Hauran one seeks in vain for any delineation of human face or figure. The art of these countries is mainly geometrical, and allows only of monograms crowned with laurels, of peacocks, of animals gambolling amid foliage, of fruit and flowers, of crosses which are either _svastikas_ of Hindu and Mycenaean type, or so lost in enveloping arabesques as to be merely decorative. Such was the only religious art permitted by the Christian sentiment of these countries, and also of the large _enclaves_ of semi-Manichaean belief formed in the Balkans by the transportation thither of Armenians and Paulicians. And it is important to remark that the protagonists of iconoclasm in Byzantium came from these lands where image cult offended the deepest religious instincts of the masses. Leo the Isaurian had all the scruples of a Paulician, even to the rejection of the cult of Virgin and saints; Constantine V. was openly such. Michael Balbus was reared in Phrygia among Montanists. The soldiers and captains of the Byzantine garrisons were equally Armenians and Syrians, in whom the sight of a crucifix or image set up for worship inspired nothing but horror.