Asoka recognized proselytism by peaceful means as a state duty. The rock
inscriptions record how he sent forth missionaries "to the utmost limits
of the barbarian countries," to "intermingle among all unbelievers" for
the spread of religion. They shall mix equally with Brahmans and
beggars, with the dreaded and the despised, both within the kingdom
"and in foreign countries, teaching better things." Conversion is to be
effected by persuasion, not by the sword. This character of a
proselytizing faith which wins its victories by peaceful means has
remained a prominent feature of Buddhism to the present day. Asoka,
however, not only took measures to spread the religion; he also
endeavoured to secure its orthodoxy. He collected the body of doctrine
into an authoritative version, in the Magadhi language or dialect of his
central kingdom in Behar--a version which for two thousand years has
formed the canon (_pitakas_) of the southern Buddhists.
The fourth and last of the great councils was held in Kashmir under the
Kushan king Kanishka (see below). This council, which consisted of five
hundred members, compiled three commentaries on the Buddhist faith.
These commentaries supplied in part materials for the Tibetan or
northern canon, drawn up at a subsequent period. The northern canon, or,
as the Chinese proudly call it, the "greater vehicle of the law,"
includes many later corruptions or developments of the Indian faith as
originally embodied by Asoka in the "lesser vehicle," or canon of the
southern Buddhists.
The Kanishka commentaries were written in the Sanskrit language, perhaps
because the Kashmir and northern priests who formed his council belonged
to isolated Aryan colonies, which had been little influenced by the
growth of the Indian vernacular dialects. In this way Kanishka and his
Kashmir council became in some degree to the northern or Tibetan
Buddhists what Asoka and his council had been to the Buddhists of Ceylon
and the south.[3]
Buddhism and Brahmanism.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account