The invasion of Alexander and the westward spread of Buddhism brought
India into contact with Persia, where the Achaemenian kings had hewn out
mausolea in the rocks, and built palaces with stone basements, doorways
and pillars, filling in the walls with bricks. These works would attract
the attention of Indian visitors--ambassadors, missionaries and
merchants; and the report of such magnificent works would lead to their
imitation.
About the middle of the 3rd century B.C. we find the great Asoka, the
grandson of Chandragupta, in communication with the contemporary kings
of Syria, Egypt, Macedonia, Epirus and Cyrene; and to his reign belong
the great stone pillars, with capitals of Persian type, that are
engraved with his religious edicts. A convert to Buddhism, Asoka is
credited with the construction all over the country of vast numbers of
stupas--monumental structures enshrining relics of Sakyamuni Buddha or
other Buddhist saints; and with them were erected monasteries and
chapels for the monks.
On the monumental pillars, known as lats, set up by this emperor,
besides the Persepolitan form of capital, we find the honeysuckle with
the bead and reel and the cable ornaments that were employed in earlier
Persian carvings; and though not continued later in India proper, these
prevailed in use in Afghanistan for some centuries after the Christian
era. This seems to indicate that these forms first came from Persia
along with the ideas that led to the change of wooden architecture for
that of stone.
The stupas were structures that may be regarded as conventional
architectural substitutes for funeral tumuli, and were constructed to
enshrine relics of Buddha or of his more notable disciples, or even to
mark the scene of notable events in the tradition of his life. How
relic-worship originated and came to hold so large a place in the
Buddhist cult we can hardly conjecture: the sentiment could not have
arisen for the first time on the death of Gotama Buddha, when, we are
told, eight stupas were built over his corporeal relics, a ninth over
the vessel with which they were divided, and a tenth over the charcoal
of the funeral pile.
Public-domain text, read in full here on John Shaqi.
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