About the beginning of the 15th century several local dynasties arose,
each of which developed a style more or less their own. Of the Sharki
dynasty of Jaunpur only three great mosques in that city have come down
to us, with several tombs. The cloisters surrounding the open courts of
the mosques and the galleries within are closely allied to the Hindu
style, being constructed with short square pillars having bracket
capitals supporting lintels and roof of flat slabs. But the gateways and
main features of the mosques are arched. The mosque itself consists of a
central square hall covered by a lofty dome of the whole width of it, in
front of which stands the great propylon or gate, of massive outline and
rising to the full height of the central dome. This propylon had a large
recessed arch between the two piers, in the lower portion of which was
the entrance to the mosque, whilst the upper formed a pierced screen. On
each side of the dome is a compartment divided into two storeys by a
stone floor supported on pillars, and beyond this, on each side, is a
larger apartment covered by a pointed ribbed vault. The ornamental work
is bold and striking rather than delicate, and the _mihrabs_ or _qiblas_
are marked by severe simplicity, and form a link in the evolution of the
later form under Mogul rule. These buildings afford a marked expression
of strength combined with a degree of refinement that is rare in other
styles. Other examples of this style are met with at Benares, Kanauj and
places within the Jaunpur kingdom.
Public-domain text, read in full here on John Shaqi.
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