the azalea (_tsutsuji_) and the iris (_shobu_), the last being almost contemporaneous with the peony (_botan_), which is regarded by many Japanese as the king of flowers and is cultivated assiduously. A species of weeping maple (_shidare-momiji_) dresses itself in peachy-red foliage and is trained into many picturesque shapes, though not without detriment to its longevity. Summer sees the lotus (_renge_) convert wide expanses of lake and river into sheets of white and red blossoms; a comparatively flowerless interval ensues until, in October and November, the chrysanthemum arrives to furnish an excuse for fashionable gatherings. With the exception of the dog-days and the dead of winter, there is no season when flowers cease to be an object of attention to the Japanese, nor does any class fail to participate in the sentiment. There is similar enthusiasm in the matter of gardens. From the 10th century onwards the art of landscape gardening steadily grew into a science, with esoteric as well as exoteric aspects, and with a special vocabulary. The underlying principle is to reproduce nature's scenic beauties, all the features being drawn to scale, so that however restricted the space, there shall be no violation of proportion. Thus the artificial lakes and hills, the stones forming rockeries or simulating solitary crags, the trees and even the bushes are all selected or manipulated so as to fall congruously into the general scheme. If, on the one hand, huge stones are transported hundreds of miles from seashore or river-bed where, in the lapse of long centuries, waves and cataracts have hammered them into strange shapes, and if the harmonizing of their various colours and the adjustment of their forms to environment are studied with profound subtlety, so the training and tending of the trees and shrubs that keep them company require much taste and much toil. Thus the red pine (_aka-matsu_ or _pinus densiflora_), which is the favourite garden tree, has to be subjected twice a year to a process of spray-dressing which involves the careful removal of every weak or aged needle. One tree occupies the whole time of a gardener for about ten days. The details are endless, the results delightful. But it has to be clearly understood that there is here no mention of a flower-garden in the Occidental sense of the term. Flowers are cultivated, but for their own sakes, not as a feature of the landscape garden. If they are present, it is only as an incident. This of course does not apply to shrubs which blossom at their seasons and fall always into the general scheme of the landscape. Forests of cherry-trees, plum-trees, magnolia trees, or _hiyaku-jikko_ (_Lagerstroemia indica_), banks of azalea, clumps of hydrangea, groups of camellia--such have their permanent places and their foliage adds notes of colour when their flowers have fallen. But chrysanthemums,