JAURÉGUIBERRY, JEAN BERNARD (1815-1887), French admiral, was born at Bayonne on the 26th of August 1815. He entered the navy in 1831, was made a lieutenant in 1845, commander in 1856, and captain in 1860. After serving in the Crimea and in China, and being governor of Senegal, he was promoted to rear-admiral in 1869. He served on land during the second part of the Franco-German War of 1870-71, in the rank of auxiliary general of division. He was present at Coulmiers, Villépion and Loigny-Poupry, in command of a division, and in Chanzy's retreat upon Le Mans and the battle at that place in command of a corps. He was the most distinguished of the many naval officers who did good service in the military operations. On the 9th of December he had been made vice-admiral, and in 1871 he commanded the fleet at Toulon; in 1875 he was a member of the council of admiralty; and in October 1876 he was appointed to command the evolutionary squadron in the Mediterranean. In February 1879 he became minister of the navy in the Waddington cabinet, and on the 27th of May following was elected a senator for life. He was again minister of the navy in the Freycinet cabinet in 1880. A fine example of the fighting French seaman of his time, Jauréguiberry died at Paris on the 21st of October 1887. JÁUREGUI Y AGUILAR, JUAN MARTÍNEZ DE (1583-1641), Spanish poet, was baptized at Seville on the 24th of November 1583. In due course he studied at Rome, returning to Spain shortly before 1610 with a double reputation as a painter and a poet. A reference in the preface to the _Novelas exemplares_ has been taken to mean that he painted the portrait of Cervantes, who, in the second part of _Don Quixote_, praises the translation of Tasso's _Aminta_ published at Rome in 1607. Jáuregui's _Rimas_ (1618), a collection of graceful lyrics, is preceded by a controversial preface which attracted much attention on account of its outspoken declaration against _culteranismo_. Through the influence of Olivares, he was appointed groom of the chamber to Philip IV., and gave an elaborate exposition of his artistic doctrines in the _Discurso poético contra el hablar culto y oscuro_ (1624), a skilful attack on the new theories, which procured for its author the order of Calatrava. It is plain, however, that the shock of controversy had shaken Jáuregui's convictions, and his poem _Orfeo_ (1624) is visibly influenced by Góngora. Jáuregui died at Madrid on the 11th of January 1641, leaving behind him a translation of the _Pharsalia_ which was not published till 1684. This rendering reveals Jáuregui as a complete convert to the new school, and it has been argued that, exaggerating the affinities between Lucan and Góngora--both of Cordovan descent--he deliberately translated the thought of the earlier poet into the vocabulary of the later master. This is possible; but it is at least as likely that Jáuregui unconsciously yielded to the current of popular taste, with no other