the great idols at Bamian, and the Doric order at Selinus." Other temples in the same neighbourhood as Chandi Sewu are Ch. Lumbung, Ch. Kali Bening (Baneng), with a monstrous Kala head as the centre of the design on the southern side, Ch. Kalong and Ch. Plaosan. Tradition assigns these temples to 1266-1296. Of the temples of the eastern zone the best known is Chandi Jago (or Tumpang), elaborately described in the Archaeological Commission's monograph. According to the _Pararaton_, a native chronicle (published in the _Verhand. v. h. Bat. Gen. v. K. en W._, 1896), it belongs to the 13th century, containing the tomb of Rangavuni or Vishnuvardhana, who died in 1272-1273. The shrine proper occupies the third of three platforms, the lowest of which forms a square of 45 to 46 ft. each side. The building fronts the west, and is constructed of an andesitic tuff of inferior quality and dark colour. Of distinctly Buddhistic influence there is no trace. The makara (elephant-fish head) is notably absent. The sculptures which run round the base and along the sides of the platforms or terraces are of the most elaborate and varied description--kings on thrones, dwarfs, elephants, supernatural beings, diabolical and grotesque, tree-monsters, palaces, temples, courtyards, lakes, gardens, forests--all are represented. In one place appears a Chinese--or Burmese-looking seven-roofed pagoda; in another, a tall temple strangely split down the centre, with a flight of steps running up the fissure. The inscriptions are in the Devanagari character. In the same neighbourhood are Ch. Singossari, Ch. Kidal, &c. Another of the most beautiful of the eastern temples is Ch. Jabung, mentioned in 1330. It is built of red brick; and its distinctly Javanese origin is suggested by the frequency of the snake-motif still characteristic of modern Javanese art. It may be added that a comparison of the several buildings of the zone affords an interesting study in the development of the pilaster as a decorative rather than structural element. At Panabaram, near Blitar, Kediri, is another group of stone temples and other buildings. The chief temple is remarkable for the richness of its sculptures, which are peculiarly delicate and spirited in their details. The decoration of the mere robes of one of the free-standing stairway-guardians consists of scroll-work, interspersed with birds and animals rendered in a non-Indian style, reminiscent of Chinese or Japanese work. It has been described as one of the most beautiful pieces of sculpture in all the East.