JOURNEY (through O. Fr. _jornee_ or _journee_, mod. Fr. _journée_, from med. Lat. _diurnata_, Lat. _diurnus_, of or belonging to _dies_, day), properly that which occupies a day in its performance, and so a day's work, particularly a day's travel, and the distance covered by such, usually reckoned in the middle ages as twenty miles. The word is now used of travel covering a certain amount of distance or lasting a certain amount of time, frequently defined by qualifying words. "Journey" is usually applied to travel by land, as opposed to "voyage," travel by sea. The early use of "journey" for a day's work, or the amount produced by a day's work, is still found in glassmaking, and also at the British Mint, where a "journey" is taken as equivalent to the coinage of 15 lb. of standard gold, 701 sovereigns, and of 60 lb. of silver. The term "journeyman" also preserves the original significance of the word. It distinguishes a qualified workman or mechanic from an "apprentice" on the one hand and a "master" on the other, and is applied to one who is employed by another person to work at his trade or occupation at a day's wage. JOUVENET, JEAN (1647-1717), French painter, born at Rouen, came of a family of artists, one of whom had taught Poussin. He early showed remarkable aptitude for his profession, and, on arriving in Paris, attracted the attention of Le Brun, by whom he was employed at Versailles, and under whose auspices, in 1675, he became a member of the Académie Royale, of which he was elected professor in 1681, and one of the four perpetual rectors in 1707. The great mass of works that he executed, chiefly in Paris, many of which, including his celebrated Miraculous Draught of Fishes (engraved by Audran; also Landon, _Annales_, i. 42), are now in the Louvre, show his fertility in invention and execution, and also that he possessed in a high degree that general dignity of arrangement and style which distinguished the school of Le Brun. Jouvenet died on the 5th of April 1717, having been forced by paralysis during the last four years of his life to work with his left hand. See _Mém. inéd. acad. roy. de p. et de sc._, 1854, and D'Argenville, _Vies des peintres_.