under British, French and German auspices. (R. A. S. M.) JORDAENS, JACOB (1593-1678), Flemish painter, was born and died at Antwerp. He studied, like Rubens, under Adam van Noort, and his marriage with his master's daughter in 1616, the year after his admission to the gild of painters, prevented him from visiting Rome. He was forced to content himself with studying such examples of the Italian masters as he found at home; but a far more potent influence was exerted upon his style by Rubens, who employed him sometimes to reproduce small sketches in large. Jordaens is second to Rubens alone in their special department of the Flemish school. In both there is the same warmth of colour, truth to nature, mastery of chiaroscuro and energy of expression; but Jordaens is wanting in dignity of conception, and is inferior in choice of forms, in the character of his heads, and in correctness of drawing. Not seldom he sins against good taste, and in some of his humorous pieces the coarseness is only atoned for by the animation. Of these last he seems in some cases to have painted several replicas. He employed his pencil also in biblical, mythological, historical and allegorical subjects, and is well-known as a portrait painter. He also etched some plates. See the elaborate work on the painter, by Max Rooses (1908). JORDAN, CAMILLE (1771-1821), French politician, was born in Lyons on the 11th of January 1771 of a well-to-do mercantile family. He was educated in Lyons, and from an early age was imbued with royalist principles. He actively supported by voice, pen and musket his native town in its resistance to the Convention; and when Lyons fell, in October 1793, Jordan fled. From Switzerland he passed in six months to England, where he formed acquaintances with other French exiles and with prominent British statesmen, and imbibed a lasting admiration for the English Constitution. In 1796 he returned to France, and next year he was sent by Lyons as a deputy to the Council of Five Hundred. There his eloquence won him consideration. He earnestly supported what he felt to be true freedom, especially in matters of religious worship, though the energetic appeal on behalf of church bells in his _Rapport sur la liberté des cultes_ procured him the sobriquet of Jordan-Cloche. Proscribed at the _coup d'état_ of the 18th Fructidor (4th of September 1797) he escaped to Basel. Thence he went to Germany, where he met Goethe. Back again in France by 1800, he boldly published in 1802 his _Vrai sens du vote national pour le consulat à vie_, in which he exposed the ambitious schemes of Bonaparte. He was unmolested, however, and during the First Empire lived in literary retirement at Lyons with his wife and family, producing for the Lyons academy occasional papers on the _Influence réciproque de l'éloquence sur la Révolution et de la Révolution sur l'éloquence_; _Études sur Klopstock_, &c. At the restoration in 1814 he again emerged into public life.