The universal substance, which we may call the absolute, is at this
stage of our investigations not endowed with the attributes of a
personal Deity, and it will remain to be seen by further analysis in
how far we are able--without contradiction--to identify it with the
object of religious veneration, in how far that which to metaphysics
is merely a postulate can be gradually brought nearer to us and become
a living power. Much in this direction is said by Lotze in various
passages of his writings; anything complete, however, on the subject
is wanting. Nor would it seem as if it could be the intention of the
author to do much more than point out the lines on which the further
treatment of the subject should advance. The actual result of his
personal inquiries, the great idea which lies at the foundation of his
philosophy, we know. It may be safely stated that Lotze would allow
much latitude to individual convictions, as indeed it is evident that
the empty notion of an absolute can only become living and significant
to us in the same degree as experience and thought have taught us to
realize the seriousness of life, the significance of creation, the
value of the beautiful and the good, and the supreme worth of personal
holiness. To endow the universal substance with moral attributes, to
maintain that it is more than the metaphysical ground of everything,
to say it is the perfect realization of the holy, the beautiful and
the good, can only have a meaning for him who feels within himself
what real not imaginary values are clothed in those expressions.
We have still to mention that aesthetics formed a principal and
favourite study of Lotze's, and that he has treated this subject also
in the light of the leading ideas of his philosophy. See his essays
_Ueber den Begriff der Schönheit_ (Göttingen, 1845) and _Ueber
Bedingungen der Kunstschönheit_, ibid. (1847); and especially his
_Geschichte der Aesthetik in Deutschland_ (Munich, 1868).
Public-domain text, read in full here on John Shaqi.
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