his election, on the 21st of May 1891, to the French Academy. In 1892 he
published _Fantôme d'orient_, another dreamy study of life in
Constantinople, a sort of continuation of _Aziyadé_. He described a
visit to the Holy Land, somewhat too copiously, in three volumes
(1895-1896), and wrote a novel, _Ramuntcho_ (1897), a story of manners
in the Basque province, which is equal to his best writings. In 1900 he
visited British India, with the view of describing what he saw; the
result appeared in 1903--_L'Inde_ (_sans les Anglais_). At his best
Pierre Loti was unquestionably the finest descriptive writer of the day.
In the delicate exactitude with which he reproduced the impression given
to his own alert nerves by unfamiliar forms, colours, sounds and
perfumes, he was without a rival. But he was not satisfied with this
exterior charm; he desired to blend with it a moral sensibility of the
extremest refinement, at once sensual and ethereal. Many of his best
books are long sobs of remorseful memory, so personal, so intimate, that
an English reader is amazed to find such depth of feeling compatible
with the power of minutely and publicly recording what is felt. In spite
of the beauty and melody and fragrance of Loti's books his mannerisms
are apt to pall upon the reader, and his later books of pure description
were rather empty. His greatest successes were gained in the species of
confession, half-way between fact and fiction, which he essayed in his
earlier books. When all his limitations, however, have been rehearsed,
Pierre Loti remains, in the mechanism of style and cadence, one of the
most original and most perfect French writers of the second half of the
19th century. Among his later works were: _La Troisième jeunesse de Mme
Prune_ (1905); _Les Désenchantées_ (1906, Eng. trans. by C. Bell); _La
Mort de Philae_ (1908); _Judith Renaudin_ (Théâtre Antoine, 1904), a
five-act historical play based on an earlier book; and, in
collaboration with Émile Vedel, a translation of _King Lear_, also
produced at the Théâtre Antoine in 1904. (E. G.)
Public-domain text, read in full here on John Shaqi.
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