Apart from the Mahratta Brahmans, as already mentioned, the Mahratta
nobles and princes are not generally fine-looking men. There is
general truth in what was once said by a high authority to the effect
that, while there will be something dignified in the humblest Rajput,
there will be something mean in the highest Mahratta. Bluff
good-nature, a certain jocoseness, a humour pungent and ready, though
somewhat coarse, a hot or even violent disposition, are
characteristics of Mahratta chieftains. They usually show little
aptitude for business or for sedentary pursuits; but, on the other
hand, they are born equestrians and sportsmen. Mahratta ladies and
princesses have often taken a prominent part, for good or evil, in
public affairs and dynastic intrigues.
Though they have produced some poetry, the Mahrattas have never done
much for literature. Nor have they been distinguished in industrial
art. Their architecture in wood, however, was excellent; and the teak
forests of their country afforded the finest timber for building and
for carving. They had also much skill in the construction of works for
the supply of drinking water on a large scale and for irrigation.
The range of the Western Ghats enabled the Mahrattas to rise against
their Mahommedan conquerors, to reassert their Hindu nationality against
the whole power of the Mogul Empire, and to establish in its place an
empire of their own. It is often stated that in India British conquest
or annexation succeeded Mahommedan rule; and to a considerable extent
this was the case. But, on the other hand, the principal power, the
widest sovereignty, which the British overthrew in India was that of the
Mahrattas.
Public-domain text, read in full here on John Shaqi.
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