England -- Social life and customs -- 19th century -- Fiction
“Lady Montfort looks well to-night,” said the neighbour of Myra.
“And is that Lady Montfort? Do you know, I never saw her before.”
“Yes; that is the famous Berengaria, the Queen of Society, and the
genius of Whiggism.”
In the evening, a great lady, who was held to have the finest voice in
society, favoured them with a splendid specimen of her commanding skill,
and then Adriana was induced to gratify her friends with a song, “only
one song,” and that only on condition that Myra should accompany her.
Miss Neuchatel had a sweet and tender voice, and it had been finely
cultivated; she would have been more than charming if she had only taken
interest in anything she herself did, or believed for a moment that
she could interest others. When she ceased, a gentleman approached
the instrument and addressed her in terms of sympathy and deferential
praise. Myra recognised the knight of the garter who had sat next to
Lady Montfort. He was somewhat advanced in middle life, tall and of a
stately presence, with a voice more musical even than the tones which
had recently enchanted every one. His countenance was impressive,
a truly Olympian brow, but the lower part of the face indicated not
feebleness, but flexibility, and his mouth was somewhat sensuous. His
manner was at once winning; natural, and singularly unaffected, and
seemed to sympathise entirely with those whom he addressed.
“But I have never been at Hainault,” said the gentleman, continuing
a conversation, “and therefore could not hear the nightingales. I am
content you have brought one of them to town.”
“Nightingales disappear in June,” said Miss Ferrars; “so our season will
be short.”
“And where do they travel to?” asked the gentleman.
“Ah! that is a mystery,” said Myra. “You must ask Miss Neuchatel.”
“But she will not tell me,” said the gentleman, for in truth Miss
Neuchatel, though he had frequently addressed her, had scarcely opened
her lips.
“Tell your secret, Adriana,” said Miss Ferrars, trying to force her to
converse.
“Adriana!” said the gentleman. “What a beautiful name! You look with
that flower, Miss Neuchatel, like a bride of Venice.”
“Nay,” said Myra; “the bride of Venice was a stormy ocean.”
“And have you a Venetian name?” asked the gentleman.
There was a pause, and then Miss Neuchatel, with an effort, murmured,
“She has a very pretty name. Her name is Myra.”
“She seems to deserve it,” said the gentleman.
“So you like my daughter’s singing,” said Mr. Neuchatel, coming up to
them. “She does not much like singing in public, but she is a very good
girl, and always gives me a song when I come home from business.”
“Fortunate man!” said the gentleman. “I wish somebody would sing to me
when I come home from business.”
“You should marry, my lord,” said Mr. Neuchatel, “and get your wife to
sing to you. Is it not so, Miss Ferrars? By the by, I ought to introduce
you to--Lord Roehampton.”
CHAPTER XXXIX
Public-domain text, read in full here on John Shaqi.
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