England -- Social life and customs -- 19th century -- Fiction
It was in the early summer following the death of Mrs. Ferrars that he
settled there. He was frequently at the hall, and became intimate with
Mr. Ferrars. Notwithstanding the difference of age, there was between
them a sympathy of knowledge and thought. In spite of his decided mind,
Nigel listened to Mr. Ferrars with deference, soliciting his judgment,
and hanging, as it were, on his accents of wise experience and refined
taste. So Nigel became a favourite with Mr. Ferrars; for there are few
things more flattering than the graceful submission of an accomplished
intellect, and, when accompanied by youth, the spell is sometimes
fascinating.
The death of his wife seemed to have been a great blow to Mr. Ferrars.
The expression of his careworn, yet still handsome, countenance became,
if possible, more saddened. It was with difficulty that his daughter
could induce him to take exercise, and he had lost altogether that
seeming interest in their outer world which once at least he affected to
feel. Myra, though ever content to be alone, had given up herself much
to her father since his great sorrow; but she felt that her efforts to
distract him from his broodings were not eminently successful, and
she hailed with a feeling of relief the establishment of Nigel in the
parish, and the consequent intimacy that arose between him and her
father.
Nigel and Myra were necessarily under these circumstances thrown much
together. As time advanced he passed his evenings generally at the hall,
for he was a proficient in the only game which interested Mr. Ferrars,
and that was chess. Reading and writing all day, Mr. Ferrars required
some remission of attention, and his relaxation was chess. Before the
games, and between the games, and during delightful tea-time, and for
the happy quarter of an hour which ensued when the chief employment of
the evening ceased, Nigel appealed much to Myra, and endeavoured to draw
out her mind and feelings. He lent her books, and books that favoured,
indirectly at least, his own peculiar views--volumes of divine poesy
that had none of the twang of psalmody, tales of tender and sometimes
wild and brilliant fancy, but ever full of symbolic truth.
Chess-playing requires complete abstraction, and Nigel, though he was
a double first, occasionally lost a game from a lapse in that condensed
attention that secures triumph. The fact is, he was too frequently
thinking of something else besides the moves on the board, and his ear
was engaged while his eye wandered, if Myra chanced to rise from her
seat or make the slightest observation.
Public-domain text, read in full here on John Shaqi.
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