Says Dr. Johnson: "the Morris-Dance, in which bells are jingled, or staves
or swords clashed, was learned by the Moors, and was probably a kind of
Pyrrhic, or military dance. "Morisco," says Blount (Span.), a Moor; also a
dance, so called, wherein there were usually five men, and a boy dressed
in a girl's habit, whom they called the Maid Marrion, or perhaps Morian,
from the Italian Morione, a head-piece, because her head was wont to be
gaily trimmed up. Common people called it a Morris-Dance." Such are the
statements made at the commencement of a chapter on this subject in
"Brand's Popular Antiquities."
It is generally agreed that the Morris-Dance was introduced into this
country in the sixteenth century. In the earlier English allusions it is
called _Morisco_, a Moor, and this indicates its origin from Spain. It was
popular in France before it was appreciated amongst our countrymen; some
antiquaries assert that it came to England from our Gallic neighbours, or
even from the Flemings, while others state that when John of Gaunt
returned from Spain he was the means of making it known here, but we think
there is little truth in the statement.
Our countrymen soon united the Morris-Dance with the favourite pageant
dance of Robin-hood. We discover many traces of the two dances in sacred
as well as profane places. In old churchwarden's accounts we sometimes
find items bearing on this theme. The following entries are drawn from the
"Churchwardens' and Chamberlains' Books of Kingston-upon-Thames:"--
"1508. For paynting of the _Mores_ garments for
sarten gret leveres 0 2 4
" For plyts and 1/4 of laun for the _Mores_
garments 0 2 11
" For Orseden for the same 0 0 10
" For bellys for the daunsars 0 0 12
1509-10. For silver paper for the _Mores_-dawnsars 0 0 7
1519-20. Shoes for the _Mores_-daunsars, the frere,
and Mayde Maryan, at 7d. a peyre 0 5 4
1521-22. Eight yerds of fustyan for the
_Mores_-daunsars' coats 0 16 0
" A dosyn of gold skynnes for the Morres 0 0 10
1536-37. Five hats and 4 porses for the daunsars 0 0 4-1/2."
It is stated that in 1536-37, amongst other clothes belonging to the play
of Robin Hood, left in the keeping of the churchwardens, were "a fryer's
coat of russet, with a kyrtle of worsted welted with red cloth, a mowren's
cote of buckram, and 4 Morres daunsars cote of white fustain spangelyed,
and two gryne saten cotes, and a dysardd's cote of cotton, and 6 payre of
garters with bells."
Some curious payments appear in the churchwardens' accounts of St. Mary's
parish, Reading, and are quoted by Coates, the historian of the town.
Under the year 1557, items as follow appear:--
Public-domain text, read in full here on John Shaqi.
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