England, Picturesque and Descriptive: A Reminiscence of Foreign TravelCook, Joel
History
England, Picturesque and Descriptive: A Reminiscence of Foreign Travel
Cook, Joel
England -- Description and travel
Thus far we have mainly written of the rural and historical attractions
of Warwickshire, but its great city must not be passed by without
notice. The "Homestead of the Sons of Beorm" the Saxon, while rising
from small beginnings, has had a prodigiously rapid growth since the
coal, iron, and railways have so greatly swollen the wealth and
population of manufacturing England. It was at the time of the Conquest
the manor of Bermingeham, or, as the Midland English prefer to pronounce
it, "Brummagem." It was held for many years by a family of the same
name, and had an uneventful history till the townsfolk ranged themselves
on the side of Parliament in the Civil War, in revenge for which Prince
Rupert captured and pillaged Birmingham: it was then a market-town,
built mostly along one street, and noted for its smiths and cutlers, who
were kept busy in forging pikes and swords for the king's opponents. The
great growth of the city has been in the present century, when the
population has trebled, and now approaches four hundred thousand. The
main features of its history relate to trade and manufactures, otherwise
its annals are comparatively commonplace. There is little remaining of
the old town, almost all the structures being modern. St. Martin's
Church, replacing the original parish church, or "Mother Church," as it
is called, is a fine modern structure, and contains some interesting
monuments of the Bermingeham family. There are several other attractive
churches, including the Unitarian church of the Messiah, which is
supported on massive arches, for it is built over a canal on which are
several locks: this has given cause for a favorite Birmingham witticism:
"St. Peters world-wide diocese
Rests on the power of the keys;
Our church, a trifle heterodox,
We'll rest on a 'power of locks.'"
[Illustration: ASTON HALL.]
[Illustration: THE "GALLERY OF THE PRESENCE," ASTON HALL.]
Public-domain text, read in full here on John Shaqi.
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