England, Picturesque and Descriptive: A Reminiscence of Foreign TravelCook, Joel
History
England, Picturesque and Descriptive: A Reminiscence of Foreign Travel
Cook, Joel
England -- Description and travel
At length, having survived all his
early coadjutors and rivals, he died, full of years and honors."
[Illustration: QUEEN ELIZABETH'S OAK, HATFIELD.]
[Illustration: HATFIELD HOUSE.]
But it was not until after his death that Hatfield came into possession
of his family. He built Burghley House near Stamford in Lincolnshire,
and left it to his younger son, Sir Robert Cecil. After Elizabeth's
death, King James I. expressed a preference for Burghley over Hatfield,
and an exchange was made by which Hatfield passed into possession of Sir
Robert, who had succeeded his father as chief minister, and, though in
weak health and of small stature, was a wise and faithful servant of the
queen and of her successor. In Elizabeth's last illness, when she
persisted in sitting propped up on a stool by pillows, he urged her to
rest herself, and inadvertently said she "must go to bed." The queen
fired up. "Must!" cried she. "Is _must_ a word to be addressed to
princes? Little man, little man, thy father if he had been alive durst
not have used that word." Sir Robert did not survive the queen many
years, and to him King James's peaceful succession to the throne is said
to have been greatly due. The king made him the Earl of Salisbury, and
the title descended for several generations, until, in 1773, the seventh
earl was promoted to the rank of marquis, and now Robert Cecil, the
third Marquis of Salisbury and one of the leaders of the Conservative
party, presides over the estates at Hatfield. The chief entrance to
Hatfield House is on the northern side, and above it rises a cupola. The
buildings form three sides of an oblong, the longer line fronting the
north and the two wings pointing towards the south. They are of brick,
with stone dressings and facings, and are admired as a faithful example
of the excellent domestic architecture of the early part of the
seventeenth century. The approach through the park from the town is of
great beauty, the grand avenue, bordered by stately trees, conducting
the visitor to a court in front of the house enclosed by a balustrade
with handsome gates. Within the building the most remarkable features
are the galleries, extending along the entire southern front. The
gallery on the ground floor was formerly a corridor, open on one side
to the air; but at a comparatively recent period this has been enclosed
with glass, and thus converted into a gallery paved with black and white
marble, and ornamented with arms and armor, some being trophies from the
Armada and others from the Crimea. Here is the rich saddle-cloth used on
the white steed that Queen Elizabeth rode at Tilbury. There are a fine
chapel and attractive state-apartments, but around the old house there
lingers a tale of sorrow. The western wing was burned in 1835, and the
dowager marchioness, the grandmother of the present marquis, then five
years old, perished in the flames, which originated in her chamber. This
Public-domain text, read in full here on John Shaqi.
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