Entering the nave from the westward, this grand apartment is found to extend two hundred and fifty feet, and to the intersection of the transepts comprises fourteen bays, three of them being included in the choir. The triforium is almost as lofty as the nave-arches, and the solidity of these, surmounted by the grandeur of the upper arcade, gives a magnificent aspect to the nave. Above is the fine vaulted roof, the elaborately carved bosses giving a series of scenes from sacred history extending from the Creation to the Last Judgment. Small chapels were originally erected against the organ-screen, one of them being dedicated to the young St. William, a Norfolk saint who in the twelfth century was tortured and crucified by some Jews. His body, clandestinely buried in a wood, was found, miracles were wrought, and it was translated to the cathedral. The Jews of Norwich were then attacked and plundered, and these outrages were renewed a century later. But times have fortunately changed since then. The choir extends to the eastern apse, and at the back of the altar recent alterations have exposed an interesting relic in a fragment of the original bishop's throne, an elevated chair of stone placed in the middle of the apse and looking westward. On either side are apsidal chapels. Among the monuments is that to Sir William Boleyn, grandfather to the unfortunate Anne Boleyn. He lived at Blickling, about thirteen miles from Norwich, where Anne is believed to have been born. Several bishops also lie in the cathedral, and among the later tombs is that of Dr. Moore, who died in 1779, and whose periwigged head is in grotesque juxtaposition with a cherub making an ugly face and appearing to be drying his eyes with his shirt. The spire of Norwich Cathedral rises two hundred and eighty-seven feet. [Illustration: NORWICH MARKET-PLACE.]