Returning along the valley of the Avon past the almost lifeless town of Amesbury, where there formerly was a grand Benedictine monastery long since gone to decay, we cross over to the Wiley Vale, and at about three miles distance from Salisbury come to the Earl of Pembroke's seat at Wilton House. The ancient town of Wilton--or, as it was originally called, Willytown--stands at the confluence of the rivers Nadder and Wiley. The Britons established it, and it was one of the capitals of the West Saxons. It was famous long before the Norman Conquest, and it afterwards obtained renown from the number and importance of its monastic establishments, having had no less than twelve parish churches, though not a trace of its abbey now remains. Henry VIII. dissolved it, and gave the site and buildings to Sir William Herbert, who was afterwards created Earl of Pembroke, and from its relics Wilton House was largely constructed. The town is now chiefly noted as the manufactory of Axminster and Wilton carpets, dextrously woven by operatives who use most primitive machinery. The Earl's Park adjoins the town, and in it is Wilton House, one of the grandest palaces in England, standing upon the site of the abbey. The buildings were designed by Holbein, and the garden front being burned in 1648, was rebuilt soon afterwards, while the entire structure was enlarged and remodelled during the present century, the cloisters being then added for the display of the fine collection of sculptures. The plan of the house is a quadrangle, with a glazed cloister occupying the central square. Within this cloister and the hall leading to it are the well-known Pembroke Marbles--statues, busts, urns, vases, bassi-relievi, and fragments of great value from Grecian and Roman works. This collection was formed during the last century, being gathered by the then earl from various sources. In the hall are statues, but its chief interest comes from the numerous suits of armor with which it is adorned, chiefly memorials of the battle of St. Quentin, fought in 1557, when the Earl of Pembroke commanded the British forces. One of the suits was worn by the earl himself, and two others by the Constable of France and the Duc de Montpensier, both being taken prisoner. On either side are entrances to various apartments containing valuable paintings. The chief of these is the "Family Picture," regarded as Vandyke's masterpiece--seventeen feet long and eleven feet high, and filling one end of the drawing-room. It contains ten full-length figures--Philip, Earl of Pembroke, and his countess and their children. Above them, hovering in the clouds, are three other children, who died in early life. In the Double Cube-room, which is regarded as a gem in its way and has a most magnificent fireplace, there are some thirteen other paintings by Vandyke. Other paintings by Italian masters are also distributed on the walls of the various apartments, but the Vandykes are regarded as the gems of the collection.